American poetry -- 19th century; American poetry -- 20th century
Back on the curving beach I stood again,
Facing the bath-house, when a group of men,
Stumbling beneath some sort of weight, went by.
I could not see the hidden thing they carried;
I only heard: “He never gave a cry”—
“Who’s going to tell her?”—“Yes, and they just married”—
“Such a good swimmer, too.” ... And then they passed;
Leaving the silence throbbing and aghast.
A moment there my buoyant heart hung slack,
And then the glad, barbaric blood came back
Singing a livelier tune; and in my pulse
Beat the great wave that surges and exults....
Why I was there and whither I must go
I did not care. Enough for me to know
The same unresting struggle and the glowing
Beauty of spendthrift hours, bravely showing
Life, an adventure perilous and gay;
And Death, a long and vivid holiday.
HANDS
Strange, how this smooth and supple joint can be
Put to so many purposes. It checks
And rears the monsters of machinery
And shapes the idle gallantries of sex.
Those hands that light the fuse and dig the trap,
Fingers that spin the earth or plunge through shame—
And yours, that lie so lightly in your lap,
Are only blood and dust—all are the same.
What mastery directs them through the world
And gives these delicate bones so great a power?
You drop your head. You sleep. Your hands are curled
Loosely, like some half-opened, perfumed flower.
An hour ago they burned in mine and sent
Armies with banners charging through my veins.
Now they are cool and white; they rest content,
Curved in a smile. The mystery remains.
A SIDE STREET
On the warm Sunday afternoons
And every evening in the Spring and Summer
When the night hurries the late home-comer
And the air grows softer, and scraps of tunes
Float from the open windows and jar
Against the voices of children and the hum of a car;
When the city noises commingle and melt
With a restless something half-seen, half-felt—
I see them always there,
Upon the low, smooth wall before the church;
That row of little girls who sit and stare
Like sparrows on a granite perch.
They come in twittering couples or walk alone
To their gray bough of stone,
Sometimes by twos and threes, sometimes as many as five—
But always they sit there on the narrow coping
Bright-eyed and solemn, scarcely hoping
To see more than what is merely moving and alive....
They hear the couples pass; the lisp of happy feet
Increases and the night grows suddenly sweet....
Public-domain text, read in full here on John Shaqi.
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