American poetry -- 19th century; American poetry -- 20th century
“Have you forgot your graves? Go, question them in anguish,
Listen long to their unstirred lips. From your hostages to silence,
Learn there is no life without death, no dawn without sun-setting,
No victory but to Him who has given all.”
IV
The clamour of cannon dies down, the furnace-mouth of the battle is
silent.
The midwinter sun dips and descends, the earth takes on afresh its
bright colours.
But he whom we mocked and obeyed not, he whom we scorned and mistrusted,
He has descended, like a god, to his rest.
Over the uproar of cities,
Over the million intricate threads of life wavering and crossing,
In the midst of problems we know not, tangling, perplexing, ensnaring,
Rises one white tomb alone.
Beam over it, stars.
Wrap it round, stripes—stripes red for the pain that he bore for you—
Enfold it forever, O flag, rent, soiled, but repaired through your
anguish;
Long as you keep him there safe, the nations shall bow to your law.
Strew over him flowers;
Blue forget-me-nots from the north, and the bright pink arbutus
From the east, and from the west rich orange blossoms,
But from the heart of the land take the passion-flower.
Rayed, violet, dim,
With the nails that pierced, the cross that he bore and the circlet,
And beside it there, lay also one lonely snow-white magnolia,
Bitter for remembrance of the healing which has passed.
THE SKATERS
Black swallows swooping or gliding
In a flurry of entangled loops and curves;
The skaters skim over the frozen river.
And the grinding click of their skates as they impinge upon the surface,
Is like the brushing together of thin wing-tips of silver.
“_H. D._”
Hilda Doolittle was born September 10, 1886, at Bethlehem,
Pennsylvania. When she was still a child, her father became Director
of the Flower Observatory and the family moved to a suburb in the
outskirts of Philadelphia. Hilda Doolittle attended a private school
in West Philadelphia; entered Bryn Mawr College in 1904; and went
abroad, for what was intended to be a short sojourn, in 1911. After
a visit to Italy and France, she came to London, joining Ezra Pound
and helping to organize the Imagists. Her work (signed “H. D.”)
began to appear in a few magazines and its unusual quality was
recognized at once. She married one of the most talented of the
English members of this group (Richard Aldington) in 1913 and
remained in London, creating, through a chiseled verse, her pure and
flawless reproductions of Greek poetry and sculpture. In 1920, she
made her long-deferred visit to America, settling on the Californian
coast, returning, the following year, to England.
Public-domain text, read in full here on John Shaqi.
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