Margaret Widdemer was born at Doylestown, Pennsylvania, and began writing in her childhood. After graduating from Drexel Institute Library School in 1909, she became a contributor of poems and short stories to various magazines—her first published poem (“The Factories”) being widely quoted. She married Robert Haven Schauffler, the author, in August, 1919. Miss Widdemer’s poetic work has two distinct phases. In the one mood, she is the protesting poet, the champion of the down-trodden, the lyricist on fire with angry passion. In the other, she is the writer of well-made, polite and popular sentimental verse. Her finest poems are in _Factories with Other Lyrics_ (1915), although several of her best songs are in _The Old Road to Paradise_ (1918), which divided, with Sandburg’s _Cornhuskers_, the Columbia Poetry Prize in 1918. Miss Widdemer is also the author of two books of short stories, four novels and several books for girls. FACTORIES I have shut my little sister in from life and light (For a rose, for a ribbon, for a wreath across my hair), I have made her restless feet still until the night, Locked from sweets of summer and from wild spring air; I who ranged the meadowlands, free from sun to sun, Free to sing and pull the buds and watch the far wings fly, I have bound my sister till her playing time was done— Oh, my little sister, was it I? Was it I? I have robbed my sister of her day of maidenhood (For a robe, for a feather, for a trinket’s restless spark), Shut from love till dusk shall fall, how shall she know good, How shall she go scatheless through the sun-lit dark? I who could be innocent, I who could be gay, I who could have love and mirth before the light went by, I have put my sister in her mating-time away— Sister, my young sister, was it I? Was it I? I have robbed my sister of the lips against her breast, (For a coin, for the weaving of my children’s lace and lawn), Feet that pace beside the loom, hands that cannot rest— How can she know motherhood, whose strength is gone? I who took no heed of her, starved and labor-worn, I, against whose placid heart my sleepy gold-heads lie, Round my path they cry to me, little souls unborn— God of Life! Creator! It was I! It was I! THE TWO DYINGS I can remember once, ere I was dead, The sorrow and the prayer and bitter cry When they who loved me stood around the bed, Watching till I should die: They need not so have grieved their souls for me, Grouped statue-like to count my failing breath— Only one thought strove faintly, bitterly With the kind drug of Death: