American poetry -- 19th century; American poetry -- 20th century
Mary Carolyn Davies was born at Sprague, Washington, and was
educated in the schools at and about Portland, Oregon. At college
(the University of California) she won the Emily Chamberlin Cook
prize for Poetry in 1912, being the first freshman to win it. In the
same year, she established another precedent by being the first
woman to win the Bohemian Club prize. With the proceeds, the young
poet went to New York, arriving with the remnants of her
fortune—four dollars and eighty-five cents.
The long struggle with the city began. Miss Davies wrote short
stories, two serials, reams of sentimental verses—anything to keep
alive. She turned finally to verse, chiefly because “when the rent
is due there’s no time to write a story, only verse can save one in
time.”
Her work divides itself into two distinct classes: the hackwork
which she does for a living and the genuine poetry which she creates
for its own sake. Her first volume _The Drums in Our Street_ (1918)
was a mixture of loud bombast and quiet beauty, of blatant war-verse
and unaffected lyrics. _Youth Riding_ (1919), although as uneven as
its predecessor, is simpler and surer. The poems in _vers libre_ are
clearly musical, and her eight-line lyrics are particularly wistful
and delicate.
THE DAY BEFORE APRIL[62]
The day before April,
Alone, alone,
I walked in the woods
And I sat on a stone.
I sat on a broad stone
And sang to the birds.
The tune was God’s making
But I made the words.
THE APPLE TREE SAID:[63]
My apples are heavy upon me.
It was the Spring;
And proud was I of my petals,
Nor dreamed this thing:
That joy could grow to a burden,
Or beauty could be
Changed from snow-light to heavy
To humble me.
_Winifred Welles_
Winifred Welles was born at Norwich Town, Connecticut, January 26,
1893, and educated in the vicinity of her home.
Her frail and delicately fashioned lyrics are the distinguishing
feature of _The Hesitant Heart_ (1920). This first volume, so
appropriately named, has a frank tenderness that never grows
maudlin, a wistful introspection that never forgets to sing.
FROM A CHINESE VASE
Roaming the lonely garden, he and I
Pursue each other to the fountain’s brim,
And there grow quiet—woman and butterfly—
The frail clouds beckon me, the flowers tempt him.
Public-domain text, read in full here on John Shaqi.
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