American poetry -- 19th century; American poetry -- 20th century
Madison (Julius) Cawein was born in Louisville, Kentucky, in 1865,
and spent most of his life in the state of his birth. He wrote an
enormous quantity of verse, publishing more than twenty volumes of
pleasant, sometimes exuberant but seldom distinguished poetry.
_Lyrics and Idyls_ (1890) and _Vale of Tempe_ (1905) contain his
most characteristic stanzas, packed with the lush, adjectival love
of Nature that led certain of his admirers to call him (and, one
must admit, the alliteration was tempting) “the Keats of Kentucky.”
Cawein’s work divides itself into two distinct veins. In the one, he
dealt with the scenes and incidents of his mountain environment: the
sag of an old house in the hills, the echoes of a feud, rumblings of
the Ku Klux Klan, the ghastly details of a lynching. In his other
mood (the one which unfortunately possessed him the greater part of
the time) he spent page after page romanticizing Nature, touching up
his already painted lilies, polishing his thinly-plated
artificialities until the base metal showed through. He pictured all
outdoors with painstaking detail. And yet it is somehow unreal,
prettified, remote. Every now and then, with an irritating
frequency, he tries to transport his audience to a literary
Fairyland; but the reader is quickly wearied by the almost
interminable procession of fays, gnomes, nixies, elves, dryads,
sprites, pucks, fauns—be they ever so lyrical.
In spite of Cawein’s too profuse lyricism, several of his pieces
will doubtless remain, though it is not likely that the survivors
will be the sugared sweetmeats by which his champions (including
William Dean Howells) set such store.
Cawein died in Kentucky in 1914.
SNOW
The moon, like a round device
On a shadowy shield of war,
Hangs white in a heaven of ice
With a solitary star.
The wind has sunk to a sigh,
And the waters are stern with frost;
And gray, in the eastern sky,
The last snow-cloud is lost.
White fields, that are winter-starved,
Black woods, that are winter-fraught,
Cold, harsh as a face death-carved,
With the iron of some black thought.
THE MAN HUNT[16]
The woods stretch wild to the mountain side,
And the brush is deep where a man may hide.
They have brought the bloodhounds up again
To the roadside rock where they found the slain.
They have brought the bloodhounds up, and they
Have taken the trail to the mountain way.
Three times they circled the trail and crossed,
And thrice they found it and thrice they lost.
Public-domain text, read in full here on John Shaqi.
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