unrestricted that he may be in doubt where to make his choice. He is, to be
sure, conditioned in two ways: To do the best work, he must keep within the
bounds of his own temperament and experience; and he should as far as
possible avoid phases of life already written about, unless he can present
them under some new aspect.
With these conditions in mind, you are ready to ask yourself: What have I
to write about? Let us put the question more concretely: Have you lived,
for instance, in a little mining town in the West? Such a little town, with
its saloons and automatics and flannel-shirted hero, stares at us every
month from the pages of popular magazines. But perhaps your little mining
town is dry, perhaps there has not been a shooting fray in it for ten
years, and all the young men go to Bible class on Sunday. Well, here is
something new; let us have it. Is New York your home? The magazines tell
you that New York is parceled out among a score of writers: the Italian
quarter, the Jewish quarter, the Syrian quarter, the boarding-houses, Wall
Street. What is there left? The suburbs? Surely not; and yet have you ever
seen a story of just your kind of street and just the kind of people that
you know? If not, here is your opportunity.
You have read about sailors, fishermen, farmers, detectives, Italian
fruit-peddlers, Jewish clothes-merchants, commercial travelers, financiers,
salesmen and saleswomen, doctors, clergymen, heiresses, and men about town,
but have you often read a thrilling romance of a filing clerk? How about
the heroism of a telephone collector? the humors of a street-car conductor?
The seeing eye will find material in the street car, in the department
store, in the dentist's waiting room, in college halls, on a lonely country
road--anywhere and everywhere. And the seeing eye is cultivated by a
perpetual process of comparing life as it is with life as it is portrayed
in literature and in art. In other words, to get material to write about,
you must cultivate alertness to the nature and value of your own
life-experience, and to the nature and value of all forms of life with
which you come into contact; but this you can never do with any degree of
success unless you at the same time learn how to read.
Public-domain text, read in full here on John Shaqi.
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