Modern Broods; Or, Developments Unlooked ForYonge, Charlotte M. (Charlotte Mary)
General
Modern Broods; Or, Developments Unlooked For
Yonge, Charlotte M. (Charlotte Mary)
Domestic fiction; England -- Social life and customs -- 19th century -- Fiction; English fiction
“Dolores! Yes, poor Gerald’s love! They are almost myths to me. Ah!”
as Lancelot opened his office-door, “now I know where I am! And there’s
the old staircase! This is the real thing, and no mistake.”
“Angel, Angel, come to tea!” And Gertrude, comfortable and substantial,
in loving greeting threw arms round the new comers, Lance still carrying
the child, who clung round his neck as he brought her into the room, full
of his late fellow travellers, and also of a group of children.
“It is as if we had gone back thirty years or more,” was Angela’s cry, as
she looked forth on what had been as little altered as possible from the
old family centre; and Lance, setting down the child, spoke as the pretty
little blue-eyed girls advanced to exchange kisses with their new aunt.
“Margaret, or Pearl, whom you knew as a baby; Etheldred, or Awdrey, and
Dickie! Fely is at Marlborough. There, take little Lena—is that her
name—to your table, and give her some tea.”
“Her name is Magdalen,” said Angela, removing the little black hat and
smoothing the hair; but Lena backed against her, and let her hand hang
limp in Pearl’s patronising clasp. Nor would she amalgamate with the
children, nor even eat or drink except still beside “Sister,” as she
called Angela. In fact, she was so thoroughly worn out and tired, as
well as shy and frightened, that Angela’s attention was wholly given to
her and she could only be put to bed, but not in the nursery, which, as
Angel said, seemed to her like a den of little wild beasts. So she was
deposited in the chamber and bed hastily prepared for the unexpected
guest; and even there, being wakeful and feverish from over-fatigue,
there was no leaving her alone, and Gertrude, after seeing her safely
installed, could only go down with the hope that she would be able to
spare her slave or nurse, which was it? by dinner-time.
“Who is that child so like?” said Dolores, in their own room.
“Very like somebody, but I can’t tell whom,” said Agatha. “Who did you
say she is?”
“I cannot say I exactly know,” said Dolores. “I believe she is the
daughter of Fulbert Underwood’s mate, on a sheep-farm in Queensland, and
that as her mother died when she was born, she has been always under the
care of this Angela, living in the Sisterhood there.”
“Not a Sister?”
“Not under vows, certainly. I never saw her before, but I believe she is
rather a funny flighty person, and that Fulbert was afraid at one time
that she would marry this child’s father.”
“Is he alive?”
“Which? Fulbert died four or five years ago, and I think the little
girl’s father must be dead, for she is in mourning.”
“There’s something very charming about her—Miss Underwood.”
“Yes there is. They all seem to be very fond of her, and yet to laugh
about her, and never to be quite sure what she will do next.”
“Did I not hear of her being so useful among the Australian black women?”
Public-domain text, read in full here on John Shaqi.
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