Modern Broods; Or, Developments Unlooked ForYonge, Charlotte M. (Charlotte Mary)
General
Modern Broods; Or, Developments Unlooked For
Yonge, Charlotte M. (Charlotte Mary)
Domestic fiction; England -- Social life and customs -- 19th century -- Fiction; English fiction
Her name was Wilmet Felicia, but the latter half had been always used in
the family, and there was something in the kitten grace that suited the
arbitrary contractions well. In fact, Jane Mohun had been rather
startled to find that she had the charge of such a little beauty, when
she saw how people turned around at the station to look, certainly not at
Valetta, who was a dark bright damsel of no special mark.
At church, however, every one was in much too anxious a state to gaze at
the coming procession to have any eyes to spare for a childish girl in a
quiet white frock. St. Andrew’s had never seen such a crowded
congregation, for it was a wedding after Mr. White’s own heart, in which
nobody dared to interfere, not even his wife, whatever her good taste
might think. So the church was filled, and more than filled, by all who
considered a wedding as legitimate gape seed, and themselves as not bound
to fit behaviour in church. On such an occasion Magdalen, being a
regular attendant, and connected with the bridesmaids, was marshalled by
a churchwarden into a reserved seat; but there they were dismayed by the
voices and the scrambling behind them, which, in the long waiting, the
Vicar from the vestry vainly tried to subdue by severe looks; and
Felicia, whose notions of wedding behaviour were moulded on Vale Lecton
and Beechcroft, looked as if she thought she had got into the house of
Duessa, amid all Pride’s procession, as in the prints in the
large-volumed “Faërie Queene.”
And when, on the sounds of an arrival, the bridegroom stood forth, the
resemblance to Sans Foy was only too striking, while the party swept up
the church, the bride in the glories of cobweb veil, white satin, &c.,
becomingly drooping on her uncle’s arm, while he beamed forth, expansive
in figure and countenance, with delight. Little Jasper Henderson,
anxious and patronising to his tiny brother Alexis, both in white pages’
dresses picked out with cerise, did his best to support the endless
glistening train.
The bridesmaids’ costumes taxed the descriptive powers of the milliners
in splendour and were scarcely eclipsed by the rich brocade and lace of
Mrs. White, as she sailed in on Captain Henderson’s arm; but her
elaborate veil and feathery bonnet hardly concealed the weary tedium of
her face, though to the shame, well nigh horror, of her sister, she was
rouged. “I must, I must,” she said; “he would be vexed if I looked
pale.”
Public-domain text, read in full here on John Shaqi.
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