Selective illumination is beyond doubt largely concerned in modifying
the information we are able to obtain as to the composition of remote
masses, and its modes of action seem capricious because they are very
imperfectly understood. Hence, spectral modifications may take place
merely through the substitution of some elements for others in carrying
(let us suppose) an electric discharge, though all were from the first
simultaneously present in unvaried proportions. Moreover, chemical
immutability can no longer be taken for granted. We have learned
of late that even elementary individuality breaks down under the
battering-ram of time. Sooner or later the stamp, however apparently
inviolable, will be defaced, transformations of species will ensue, and
novel combinations of material will subtly accommodate themselves to
the needs of a growing world. These things, it is true, are involved in
much obscurity, but we have caught glimpses of instability clear enough
to convey an emphatic warning against dogmatic interpretations of
spectral characters. Physical science may then license M. du Ligondès'
theory of comets with a provisional _Nihil obstat_.
The zodiacal light suggests a different set of considerations. Comets
being of pre-planetary origin, the ecliptical glow must be supposed
post-planetary. It belongs to a later epoch, being composed, according
to an accepted opinion,[110] of superfluous materials left over from
the construction of the train of globes to which our own belongs. It
might be compared to whey from which the curd has been separated.
All the good has been got out of it; we might be tempted to throw it
aside upon the rising rubbish-heap of the skies, with the importunate
asteroidal throng, a few dozen undistinguished comets, and some
hundreds of ill-defined meteoric systems. But celestial refuse is
always worth sifting, above all, for tokens of genealogical descent,
and we should be unwise to neglect the chance of finding them in the
peculiar relations of the zodiacal light.
Public-domain text, read in full here on John Shaqi.
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