Modern dancing and dancersFlitch, J. E. Crawford (John Ernest Crawford)
History
Modern dancing and dancers
Flitch, J. E. Crawford (John Ernest Crawford)
Ballet; Dance; Dancers
The dance, I believe, is still only in its infancy. Is it rash to
imagine that the evolution of dancing will be the special achievement of
art in this century, as the evolution of music was in the last? There is
a whole world of gesture waiting for the dance to take possession of.
The rediscovery of the gesture of the ancient world is perhaps the least
important part of the undertaking. There lies a broad field for
exploration in the innumerable racial and national gestures, each with
its separate beauty, and its separate expressiveness. And beyond this
stretches the yet more inexhaustible domain of nature, its multitudinous
minor rhythms, each various and distinguishable, merging into a grand
rhythm of the whole, the eternal rhythm of life itself. Fragments of
attitude, phrases of motion, are scattered prodigally up and down the
world, awaiting the seeing eye and the understanding mind that can pluck
these happy accidents, store them in the memory, and at the proper time
build up out of them a new pattern of the dance. When the choregrapher
of genius arrives, he will think in gestures, as the musician thinks in
sound, and the painter in mass and colour. And when he has realised the
lavish abundance of his material, he will pour into it like a molten
flood all that there is in the brimming life of our day to fire, to
madden, to delight and to rive the heart.
Then it will be the turn of the other arts to look wonderingly upon this
figure of the Dance, no longer straying timidly into their company, but
coming upon divine feet, with an assured mien and a mature grace, and
each will borrow something from her ancient and untiring ecstasy.
INDEX
A
Académie Royale de Musique et de Danse, 29
Adam, Adolphe, 51
_Aida_, 130
Albert, 34
Alexis, Tsar, 124
Alhambra Theatre, 62, 64, 170, 176
Allan, Maud, 110-118
Anne, Empress of Russia, 124
Apache Dance, 183
_Arabesques, Les_, 182
_Arc-en-ciel_, 86
Areja, Francisco, 124
Arensky, 128
_Arrow Dance_, 168
Astafieva, Seraphima, 146, 158
_Automne Bacchanale, L’_, 164, 168
B
_Babil and Bijou_, 61
Bakst, Léon, 132, 133, 134, 140, 145, 146
Balashova, Alexandra, 170, 176
Bathyllus, 46
Bauer, Henri, 36
_Bayadères, Les_, 40, 42
Bedells, Phyllis, 176, 182
Beerbohm, Mr Max, 18, 174
Beethoven, 111
Benois, M., 130, 138, 142, 154
Bensusan, Mr S. L., 65
Bergholz, 124
Berlioz, 59, 142
Bernhardt, Sarah, 110
Bertrand, 62
Blasis, Carlo, 127, 161
_Blue Danube_, 162
Borodin, 128, 142
Botticelli, 111, 113
Brahms, 166
Buddhism, 191
Burne-Jones, 73
_Butterflies_, 147
C
Cachucha, 49
Camargo, Mlle de, 30, 32
Cancan, 92, 95, 96
Candelon, 61
_Caprice_, 82
Carmenciat, La, 195, 196
_Carnaval, Le_, 133, 137, 139-141
_Carnaval de Venise, Le_, 40
_Casse-Noisette_, 128
Castor and Pollux, 29
Catherine the Second, 124
Cavallazzi, Madame, 67, 183
Cecchetti, M., 155
Cerali, 62
Cerito, Fanny, 52-54, 57
Chahut, 76
Chopin, 112, 115, 118, 144, 157, 162, 163, 166
Chorley, Mr, 42, 46
Public-domain text, read in full here on John Shaqi.
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