Modern dancing and dancersFlitch, J. E. Crawford (John Ernest Crawford)
History
Modern dancing and dancers
Flitch, J. E. Crawford (John Ernest Crawford)
Ballet; Dance; Dancers
“Slowly, to the strains of the distant music, reminiscently she raises
her willowy arms. The movement thrills her whole slender frame and she
glides as if in a dream. A voice whispers ‘Your duty--your duty! Does
not the child owe obedience to its mother?’ On, on--wilder and more
reckless than ever before! She sees once more the greedy glittering eyes
of her stepfather--she hears again the whispered praises and encouraging
words of her mother, and Salome, child that she is, realises a power
within her and exults. She sees again her triumph approach, her swaying
limbs are in readiness to give way, when suddenly from out of the sombre
death-still hall the wail of muffled distress--and a pale, sublime face
with its mass of long black hair arises before her--the head of John the
Baptist! There is a sudden crash. She is horror-stricken! Suddenly a
wild desire takes possession of her. Why, ah! why should her mother have
longed for this man’s end? Salome feels a strange longing, compelling
her once more to hold in her hands this awful reward of her obedience,
and slowly, very slowly, and with ecstasy mingled with dread, she seems
to grasp the vision of her prize and lay it on the floor before her.
Every fibre of her youthful body is quivering; a sensation hitherto
utterly unknown to her is awakened, and her soul longs for comfort.
Hark! a sound of approaching feet. Frightened lest her treasure be taken
from her before she has solved its mystery, she stands guard over it,
and when the footsteps die away in the distant halls her relief knows no
limit! In the mad whirl of childish joy she is drawn again to
dance--dance around this strange silent presence. Soon exhaustion breaks
the spell. Salome, Princess of Galilee, lies prone on the cold grey
marble.
“The awakening is that of her childish heart. The realisation of a
superior power has so taken possession of her that she is spurred on to
sacrifice everything even unto herself to conquer. Reared in luxury--her
every wish granted since her days began--was it to be thought possible
she would subject herself to the will of another, a stronger and an
intangible force at that, without a fierce conflict?
“What passes in those few moments through this excited,
half-terror-stricken, half-stubborn brain makes of little Salome a
woman!
“Now, instead of wanting to conquer, she wants to be conquered,
[Illustration: MAUD ALLAN
IN _The Vision of Salomé_
_Photograph: Foulsham & Banfield, Ltd._]
craving the spiritual guidance of the man whose wraith is before her;
but it remains silent! No word of comfort, not even a sign! Crazed by
the rigid stillness, Salome, seeking an understanding, and knowing not
how to obtain it, presses her warm, vibrating lips to the cold lifeless
ones of the Baptist! In this instant the curtain of darkness that had
enveloped her soul falls, the strange grandeur of a power higher than
Salome has ever dreamed of beholding becomes visible to her, and her
anguish becomes vibrant.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account