Modern daughters : $b Conversations with various American girls and one manBlack, Alexander
General
Modern daughters : $b Conversations with various American girls and one man
Black, Alexander
Women -- Social and moral questions; Women -- United States -- Social conditions
“Well,” said the Judge, failing to observe Miss Rittingway’s protest,
“there is a legal pleasantry which expresses itself in the query, ‘Who is
to watch the trustee?’ I am going over there to arrange about the lunch
for this interesting party, and then I am coming back to do some watching
myself.”
“Don’t you think,” I asked Miss Rittingway when the Judge had gone
again, “that there is a touch of _particular_ amiability in the Judge’s
manner?”
“I think you had better go and help him about the luncheon,” was what
Miss Rittingway said.
[Illustration]
[Illustration]
VIII
WITH A NICE MAN
[Illustration]
We sat in the “cave,” the smallest of Tranton’s rooms, and the one
consecrated to his choicest company. Mere acquaintances were never asked
into the “cave,” and even friends found that the place expressed certain
moods in the owner. When Tranton said, “Let us go into the cave,” or
shuffled mutely into the place in his barbarically embroidered slippers,
and lighted the candles, the favored one understood. It was impossible
to tell precisely why candles were used here rather than more modern
agencies of illumination. When I once ventured to ask Tranton he simply
said, “I like them.”
In the candle light the “cave” looked to be a cross between a condensed
studio and a business office. Rugs, skins, weapons, pipes, and trinkets
littered the walls. There were other elements of conventional disorder.
Over an oak desk in the corner were several photographs of women, an
etching of Napoleon, a bow of yellow satin and a Turkish slipper filled
with joss sticks. On the desk itself was a mess of literature and
tobacco. Punctuating the triteness of the room were many little touches
that were distinctively Trantonian, but which I spare publicity, lest
they be repeated and thereby become trite in turn. Tranton himself
personified something of the same conventionality relieved by difference.
In the outer world he was so well dressed that no one ever spoke of his
clothes, just as his place in society was so important and secure that
no one ever called him a “society man.” He was old enough to have met a
great many people; young enough still to have an open account with the
affections.
As Tranton always took the chair by the desk, and as this when occupied
blocked the path of retreat, he first sent me to the couch among the
pillows. Then he drew over some pipes and a curious Egyptian jar
containing his favorite weed. The pipe he chose for himself was of the
sort you will see an Italian trench laborer biting, a black, hardened,
surly-looking pipe which Tranton caressed with a tenderness that is
lavished only upon inexplicable pets.
Public-domain text, read in full here on John Shaqi.
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