Modern daughters : $b Conversations with various American girls and one manBlack, Alexander
General
Modern daughters : $b Conversations with various American girls and one man
Black, Alexander
Women -- Social and moral questions; Women -- United States -- Social conditions
_Hello! they have left the bench under the maple! Where did they go? It
is a dangerously fine day. A proposal on such a day shouldn’t be binding._
Probably a general decadence in the habit of bending the knee has
something to do with the disappearance of this feature of the proposal.
Indeed, it is quite easy to see that the whole language of gesture is
undergoing a change. Witness the present simplicity of the hat-removing
gesture as compared with the highly circuitous symbolism of the
seventeenth century; and there is quite as great a change between the
bow of our day and that of the colonial era as between the kowtow of
the Japanese, and the elegant salutation of the first Empire. Emerson
complained of hand-shaking, though he was never stingy of his own
friendly grasp, and the most cordial of modern hand-shakes is a great
modification. As Perry says, the girls now give you only one joint. All
merely physical expressions of deference are perceptibly dwindling. There
is no telling where these changes may stop. Kissing, long condemned both
by science and by cynicism, survives variously and without apparent
abatement. But we can not doubt that it is doomed. It may be the last of
the inter-personal physical salutations to disappear; yet it must go. It
is enough that we think, or at most look, our cordiality, and a woman,
trained to these subtle readings, could not see a man physically kneel
without laughing. In a telepathic millennium, not, perhaps, so far away,
men will propose and be accepted without sign or sound, and the thought
of photographic, or even of phonographic, record will be a meaningless
joke.
_O! there they are, crossing the tennis court in the direction of the
arbor near the pine grove._
We learn from chemistry that not merely elements but sequences affect
final quality. A sentimental situation may be tritely made up in this
way: A woman; a man; a question; an answer. But how variously these may
be put together!
_Undoubtedly they are visible through the foliage of the arbor if any one
chose to look. Let them alone._
It takes talent to reject a man gracefully; genius gracefully to accept
him. Many a woman loses her last chance of supremacy, if she does not
imperil her equality, in the manner of her acceptance. I have heard
a woman say that she never forgave her husband the artistic order and
self-possession of his proposal. The brutality of such a thing lies
in the fact that she cannot effectively do the same thing, though he
might deserve it. Deny her surprise or confusion or some assumption of
unpreparedness and you deny her a sophistry which sentiment seems by no
means ready to give up.
[Illustration]
_Of course they are still in the arbor. Who builds arbors? What do they
build them for? Have those who build them prophetic souls?_
Public-domain text, read in full here on John Shaqi.
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