Sixty years ago the two authors you mentioned, Irving and Cooper, were the only two American authors of whom anything was known in Europe, and the knowledge of them in Europe was mainly confined to England. It is true that Bryant's "Water-Fowl" had already begun its flight in immortal air, but these were the only two American authors that could be said to be known in England. And what is even more remarkable, they were the only American authors at that time--there were, and had been, others known to us at home--who were capable of earning their bread by their pens. Another singular change is suggested to me as I look down these tables, and that is the singular contrast they afford between the time when Johnson wrote his famous lines about those ills that assail the life of the scholar, and by the scholar he meant the author-- "Toil, envy, want, the patron, and the gaol." And I confess when I remember that verse it strikes me as a singular contrast that I should meet with a body of authors who are able to offer a dinner instead of begging one; that I have sat here and seen "forty feeding like one," when one hundred years ago the one fed like forty when he had the chance. [Laughter.] You have alluded also, in terms which I shall not qualify, to my own merits. You have made me feel a little as if I were a ghost revisiting the pale glimpses of the moon, and reading with considerable wonder my own epitaph. But you have done me more than justice in attributing so much to me with regard to International Copyright. You are quite right in alluding to Mr. Putnam, who, I think, wrote the best pamphlet that has been written on the subject; and there are others you did not name who also deserve far more than I do for the labor they have expended and the zeal they have shown on behalf of International Copyright, particularly the secretaries of our international society--Mr. Lathrop and Mr. G. W. Green. And since I could not very well avoid touching upon the subject of International Copyright, I must say that all American authors without exception have been in favor of it on the moral ground, on the ground of simple justice to English authors. But there were a great many local, topical considerations, as our ancestors used to call them, that we were obliged to take into account, and which, perhaps, you do not feel as keenly here as we did. But I think we may say that the almost unanimous conclusion of American authors latterly has been that we should be thankful to get any bill that recognized the principle of international copyright, being confident that its practical application would so recommend it to the American people that we should get afterwards, if not every amendment of it that we desire, at least every one that is humanly possible. I think that perhaps a little injustice has been done to our side of the question; I think a little more heat has been imported into it than was altogether wise. I am not so sure