That first-rate explorer, Gulliver, is also fine in the light of the
intimate candle. Have you read lately again his Voyage to the
Houyhnhnms? Try it alone again in quiet. Swift knew all about our
contemporary troubles. He has got it all down. Why was he called a
misanthrope? Reading that last voyage of Gulliver in the select intimacy
of midnight I am forced to wonder, not at Swift's hatred of mankind, not
at his satire of his fellows, not at the strange and terrible nature of
this genius who thought that much of us, but how it is that after such a
wise and sorrowful revealing of the things we insist on doing, and our
reasons for doing them, and what happens after we have done them, men do
not change. It does seem impossible that society could remain unaltered,
after the surprise its appearance should have caused it as it saw its
face in that ruthless mirror. We point instead to the fact that Swift
lost his mind in the end. Well, that is not a matter for surprise.
Such books, and France's "Isle of Penguins," are not disturbing as
bed-books. They resolve one's agitated and outraged soul, relieving it
with some free expression for the accusing and questioning thoughts
engendered by the day's affairs. But they do not rest immediately to
hand in the book-shelf by the bed. They depend on the kind of day one
has had. Sterne is closer. One would rather be transported as far as
possible from all the disturbances of earth's envelope of clouds, and
"Tristram Shandy" is sure to be found in the sun.
But best of all books for midnight are travel books. Once I was lost
every night for months with Doughty in the "Arabia Deserta." He is a
craggy author. A long course of the ordinary facile stuff, such as one
gets in the Press every day, thinking it is English, sends one
thoughtless and headlong among the bitter herbs and stark boulders of
Doughty's burning and spacious expanse; only to get bewildered, and the
shins broken, and a great fatigue at first, in a strange land of fierce
sun, hunger, glittering spar, ancient plutonic rock, and very Adam
himself. But once you are acclimatized, and know the language--it takes
time--there is no more London after dark, till, a wanderer returned from
a forgotten land, you emerge from the interior of Arabia on the Red Sea
coast again, feeling as though you had lost touch with the world you
used to know. And if that doesn't mean good writing I know of no other
test.
Public-domain text, read in full here on John Shaqi.
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