Down from the frozen mountains, in summer, birds and winds must bear the
seed of alpine flowers--lilies that lean against unmelting snows,
poppies, bright-colored herbs, and the palely gleaming, fringed beauties
that change names with countries. How just and reasonable it would seem
to be that flowers which edge the ice in July should consent to bloom in
lowlands no colder in February! The pageant of blue, magenta, and
scarlet on the austere upper slopes of the Rockies, where nights are
bitter to the summer wanderer--why should it not flourish to leeward of
a valley barn in months when icicles hang from the eaves in this tamer
setting? But no. Mountain tempests are endurable to the silken-petaled.
The treacherous lowland winter, with its coaxing suns followed by
roaring desolation, is for blooms bred in a different tradition.
The light is clear but hesitant, a delicate wine, by no means the mighty
vintage of April. February has no intoxication; the vague eagerness that
gives the air a pulse where fields lie voiceless comes from the secret
stirring of imprisoned life. Spring and sunrise are forever miracles,
but the early hour of the wonder hardly hints the exuberance of its
fulfilment. Even the forest dwellers move gravely, thankful for any
promise of kindness from the lord of day as he hangs above a sea-gray
landscape, but knowing well that their long duress is not yet to end.
Deer pathetically haunt the outskirts of farms, gazing upon cattle
feeding in winter pasture from the stack, and often, after dark,
clearing the fences and robbing the same disheveled storehouse. Not a
chipmunk winks from the top rail. The woodchuck, after his single
expeditionary effort on Candlemas, which he is obliged to make for
mankind's enlightenment, has retired without being seen, in sunshine or
shadow, and has not the slightest intention of disturbing himself just
yet. Though snowdrops may feel uneasy, he knows too much about the Ides
of March! Quietest of all Northern woods creatures, the otter slides
from one ice-hung waterfall to the next. The solitary scamperer left is
the cottontail, appealing because he is the most pursued and politest of
the furry; faithfully trying to give no offense, except when starvation
points to winter cabbage, he is none the less fey. So is the mink,
though he moves like a phantom.
Public-domain text, read in full here on John Shaqi.
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