Sometimes, if the magistrate was young or new to the business, she would
be given a chance against Officer Smith. She would be called to the
witness chair and under oath be allowed to elaborate on the obvious lies
which constituted her usual defense. This would give her the
opportunity, between the magistrate's questions, of sweeping the
courtroom with a full, hungry look for as much as half a minute at a
time. She saw the women in the audience only, and their clothes. The
pity in their eyes did not move her, because she was not in the least
interested in what they thought, but in how they looked and what they
wore. They were part of a world which she would read about--she read
very little--in the society columns of the Sunday newspaper. They were
the women around whom headlines were written and whose pictures were
printed frequently on the first page.
She could study them with comparative leisure in the Night Court.
Outside in the course of her daily routine she might catch an occasional
glimpse of these same women, through the windows of a passing taxi, or
in the matinée crowds, or going in and out of the fashionable shops. But
her work took her seldom into the region of taxicabs and fashionable
shops. The nature of her occupation kept her to furtive corners and the
dark side of streets. Nor was she at such times in the mood for just
appreciation of the beautiful things in life. More than any other walk
of life, hers was of an exacting nature, calling for intense powers of
concentration both as regards the public and the police. It was
different in the Night Court. Here, having nothing to fear and nothing
out of the usual to hope for, she might give herself up to the esthetic
contemplation of a beautiful world of which, at any other time, she
could catch mere fugitive aspects.
Public-domain text, read in full here on John Shaqi.
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