Modern French Philosophy: a Study of the Development Since ComteGunn, John Alexander
Philosophy
Modern French Philosophy: a Study of the Development Since Comte
Gunn, John Alexander
Philosophy, French; Philosophy, Modern
or philosophical belief in the absolute, which stifles religion and
perishes in its own turn. The doctrine of immortality, based on the
belief in the value of human personality, leads us away from monarchy
to a republic of free spirits. A democratic religion in this sense will
display human nature raised to its highest dignity by virtue of an
energetic affirmation of personal liberty, tolerance, mutual respect
and liberty of faith—a free religion without priests or clericalism,
not in conflict with science and philosophy, but encouraging these
pursuits and in turn encouraged by them.[28]
[28] The fullest treatment of this is the large section in the
conclusion to the _Philosophie analytique de l’Histoire_ (tome iv.).
_Cf_. also the discussion of the influence of religious beliefs on
societies in the last chapter of _La Nouvelle Monadologie_.
III
Ravaisson, in founding the new spiritual philosophy, professed certain
doctrines which were a blending of Hellenism and Christianity. In the
midst of thought which was dominated by positivism, naturalism or
materialism, or by a shallow eclecticism, wherein religious ideas were
rather held in contempt, he issued a challenge on behalf of spiritual
values and ideals. Beauty, love and goodness, he declared, were divine.
God himself is these things, said Ravaisson, and the divinity is “not
far from any of us.” In so far as we manifest these qualities we
approach the perfect personality of God himself. In the infinite, in
God, will is identical with love, which itself is not distinguished
from the absolutely good and the absolutely beautiful. This love can
govern our wills; the love of the beautiful and the good can operate in
our lives. In so far as this is so, we participate in the love and the
life of God.
Boutroux agrees substantially with Ravaisson, but he lays more stress
upon the free creative power of the deity as immanent. “God,” he
remarks in his thesis, “is not only the creator of the world, he is
also its Providence, and watches over the details as well as over the
whole.”[29] God is thus an immanent and creative power in his world as
well as the perfect being of supreme goodness and beauty. Boutroux here
finds this problem of divine immanence and transcendence as important
as does Blondel, and his attitude is like that of Blondel, midway
between that of Ravaisson and Bergson.
[29] _La Contingence des Lois de la Nature_, p. 150.
Public-domain text, read in full here on John Shaqi.
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