Modern French Prisons: Bicêtre; St. Pélagie; St. Lazare; La Force; The Conciergerie; La Grande and La Petite Roquettes; Mazas; La SantéGriffiths, Arthur
History
Modern French Prisons: Bicêtre; St. Pélagie; St. Lazare; La Force; The Conciergerie; La Grande and La Petite Roquettes; Mazas; La Santé
Griffiths, Arthur
Crime -- France -- History; Criminals -- France -- History; Prisons -- France -- History
Juvenile depravity has unhappily long been prevalent in France, and
is strongly marked. This is largely due to a faulty system, mistaken
methods of treatment in the various prisons and especially in La Petite
Roquette. Intercommunication between its inmates, despite strict
discipline, is easy and frequent, and the most depraved exert a baneful
influence over the whole. Most youthful crimes have originated in
La Roquette. “My parents ought not to have sent me here” (under the
law which permits a parent to try imprisonment to mend incorrigible
children), said one lad. “They thought to reform me; it has been
altogether the reverse.” “My first offence,” said another, “was
stealing fruit, and it brought me to La Roquette. When one comes once,
one returns often.” “The cell does not keep us apart, and we go out far
worse than when we enter,” said still another. Hence the prevalence
of serious juvenile crime. “A French child,” writes an experienced
magistrate, “organises a murder as he would a pleasure party.” One was
so light-hearted on his way to commit a great crime that an accomplice
rebuked him saying, “If you laugh too much our coup will fail.”
Another, who had already committed murder, wrote on his cell wall:
“When one’s pockets are empty it is easy to understand why there are
criminals.”
This prison as it now stands covers much ground and has considerable
architectural pretensions. It consists of six wings grouped round a
central building, with which they are connected by light iron bridges.
This central building is circular and three storied. The lowest, or
basement, contains the kitchen. The _parloir_, or place where the
prisoners see their friends, occupies the second. The chapel is on the
top floor. The wings have also three stories, and the cells on each
story open from a central passage, lighted at the end, while the whole
interior is warmed very indifferently by stoves. The régime of the
prison is based upon the principle of isolation; a system which might,
if carried to any extreme of severity, prove cruelly harsh to prisoners
of tender years. The solitude enforced is not unbroken, however. Each
boy, whatever his age (and this varies from eight or nine to sixteen
or seventeen), works in his cell, sorting flowers for immortelles, the
staple product of the neighborhood; polishing brass work, manufacturing
and gilding chairs; but he is visited constantly by the _contremaître_
or contractor’s foreman, who teaches and superintends; by the brigadier
and wardens of the wing, or by the Director--the governor and chief of
the establishment, who is continually going his rounds. The present
head of the boys’ prison is a kindly and sympathetic person, who
tempers the rigors of discipline by the warm and lively interest he
takes in his flock. It is almost touching to see how the eyes of the
little waifs brighten as he enters their cells; how one greets him with
a cheery “_bon jour_,” and another catches his hand and kisses it.
Public-domain text, read in full here on John Shaqi.
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