Modern French Prisons: Bicêtre; St. Pélagie; St. Lazare; La Force; The Conciergerie; La Grande and La Petite Roquettes; Mazas; La SantéGriffiths, Arthur
History
Modern French Prisons: Bicêtre; St. Pélagie; St. Lazare; La Force; The Conciergerie; La Grande and La Petite Roquettes; Mazas; La Santé
Griffiths, Arthur
Crime -- France -- History; Criminals -- France -- History; Prisons -- France -- History
A few words as to the guillotine; that instrument now invariably used
for capital punishment in France. It has played so large a part in
the modern French history that it will be interesting to trace its
origin back to the days of its godfather and supposed inventor, a
certain Doctor Guillotin, who in the Revolutionary times was very eager
to improve the system of capital punishment, which he desired should
be uniform for all; and he had fixed upon decapitation as the best
and simplest process. But the headsman had always been an uncertain
performer, a bungler often who could not command his nerves, and who
often slashed and wounded his victim without dealing the death blow.
Doctor Guillotin earnestly recommended in the Convention that every
criminal should be decapitated by means of some mechanical contrivance.
This passed into law, but before the contrivance had been settled upon,
Guillotin, at his wits’ end, applied to Charles Sanson, at that time
the official executioner, for guidance. In their joint researches,
they came upon an old Italian wood cut giving a presentment of the
“mannaia,” an ancient machine much used in Genoa and particularly for
the execution of Guistranin and other conspirators. The picture might
have served also for the Halifax “Maiden” of which more directly. In
both, the axe was suspended between two uprights, the culprit knelt
beneath it, and the executioner held the rope. It was also found that a
French Marshal, De Montmorency, had been beheaded in 1631 by means of a
sliding axe.
Difficulties of detail remained; chiefly, that of retaining the person
about to suffer in the proper position long enough for the descending
blow to take fatal effect. Then a friend, one Schmidt, a manufacturer
of musical instruments, brought Sanson a rough sketch which met all
objections and was in fact the model for the real machine. It seems
very closely to have followed the lines of the Halifax “Maiden.” It
was immediately accepted by the Convention, not without laughter.
Dr. Guillotin in describing his machine made use of some strange
expressions. He assured his audience that with it he “could drop off
their heads in a twinkling, and they would not suffer in the very
least.” The only sensation might be that of a “slight freshness about
the neck.” Before closing finally, the Assembly desired other opinions
and applied, among others, to a Doctor Louis who was at that time
physician to Louis XVI, still seated upon his tottering throne. The
following curious incident is touched upon in the Sanson “Memoirs.”
Public-domain text, read in full here on John Shaqi.
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