Modern French Prisons: Bicêtre; St. Pélagie; St. Lazare; La Force; The Conciergerie; La Grande and La Petite Roquettes; Mazas; La SantéGriffiths, Arthur
History
Modern French Prisons: Bicêtre; St. Pélagie; St. Lazare; La Force; The Conciergerie; La Grande and La Petite Roquettes; Mazas; La Santé
Griffiths, Arthur
Crime -- France -- History; Criminals -- France -- History; Prisons -- France -- History
Mazas, in the half century of its life, was always a striking object
on the boulevard of the same name, which had been so called after a
distinguished soldier of the First Empire, the Colonel Mazas who was
killed at the Battle of Austerlitz. It was well known to all travellers
to the South of France from the busy Gaol de Lyon, and with its grim
façade of dark granite was in strong contrast to the bright boulevard
crowded with vehicles and animated passers-by. It was the privilege of
the present writer to pay it a lengthened visit in its palmy days, and
he may be permitted to draw upon his own experience in describing it.
The outer approaches were easily passed. A first gate was unlocked by
a warder in dark green uniform, with white metal buttons, bearing the
badge of an open eye. This gate led into an inner courtyard, surrounded
by storerooms and waiting rooms with the façade of the director’s
residence--bright with masses of green creeper growing luxuriantly
on one side. On the ground floor was a second portal where another
Cerberus kept guard. To the right of this second entrance was the
office of the _greffier_, or registrar of the prison, whose business it
was to examine the credentials of all who would penetrate into the body
of the prison. It was his business also to take a minute description of
all prisoners on their reception, a formality known as the _écrou_, or
enrolment upon the prison books. These books are voluminous, but are
very accurately and carefully kept. The _signalement_ of the prisoner
gave all information concerning him, a full account of his personal
appearance, of the clothes he was wearing, and of his position in life.
Public-domain text, read in full here on John Shaqi.
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