Modern French Prisons: Bicêtre; St. Pélagie; St. Lazare; La Force; The Conciergerie; La Grande and La Petite Roquettes; Mazas; La SantéGriffiths, Arthur
History
Modern French Prisons: Bicêtre; St. Pélagie; St. Lazare; La Force; The Conciergerie; La Grande and La Petite Roquettes; Mazas; La Santé
Griffiths, Arthur
Crime -- France -- History; Criminals -- France -- History; Prisons -- France -- History
Except, however, where the ends of justice seem to require a special
departure from the rule, isolation, that is, the complete separation
of prisoners one from the other, was strictly maintained at Mazas. All
the arrangements of the prison were based upon this idea--the private
boxes of the _parloir_, or visiting cell; the separate compartments
in the exercising yards, where each prisoner ranges like a beast in a
menagerie up and down a narrow cage, in shape like a wedge cut out of
a plum cake; all are meant to secure the great end. Even the method of
conducting divine service was such that every prisoner could attend
mass without seeing or being seen by his neighbors or leaving his own
cell. This was effected by establishing an altar on the top of the
office in the _rond point_, or central hall. The _aumonier_, or prison
chaplain, who officiated here, could be seen from every cell in the
prison. All the doors were bolted ajar by a very ingenious arrangement.
The long steel bar which usually secured the cell was shot for the time
being into a ring projecting from the casing of the door, and thus a
long, narrow aperture was left facing the altar, but only a few inches
wide. This system no doubt prevented the intercommunication possible
in an open chapel; yet, while this can be reduced to a minimum where
discipline is strong and supervision effective, the prisoner alone in
his cell was under no surveillance at all. He could behave just as it
suited him. A close observer, Maxime du Camp, examined thirty-three
cells, and observed what their inmates were doing while mass was being
said. Three only were reading their missals and following the priest;
one was on his knees; one was standing uncovered, looking towards the
altar; one had opened his prayer book, but for choice was looking at
the _Magasin Pittoresque_; one other, with his head buried deep in his
arms, was shaken by a paroxysm of tears.
Public-domain text, read in full here on John Shaqi.
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