A considerable part of the palaces of the Moguls has been destroyed
by vandals or removed by the British authorities in order to make
room for ugly brick buildings which are used as barracks and
for the storage of arms, ammunition and other military supplies.
It is doubtful whether they could have secured uglier designs and
carried them out with ruder workmanship. Writers upon Indian
history and architecture invariably devote a chapter to this
national disgrace for which the viceroys in the latter part of
the nineteenth century were responsible, and they denounce it as
even worse than the devastation committed by barbarian invaders.
"Nadir Shah, Ahmed Khan and the Maratha chiefs were content to strip
the buildings of their precious metals and the jeweled thrones,"
exclaims one eminent writer. "To the government of the present
Empress of India was left the last dregs of vandalism, which
after the mutiny pulled down these perfect monuments of Mogul art
to make room for the ugliest brick buildings from Simla to Ceylon.
The whole of the harem courts of the palace were swept off the
face of the earth to make way for a hideous British barrack,
without those who carried out this fearful piece of vandalism
thinking it even worth while to make a plan of what they were
destroying, or making any records of the most splendid palace
in the world. Of the public parts of the palace, all that remain
are the entrance hall, the Nobut Khana, the Dewani Aum, the Dewani
Khas and the Rung Mahal, now used as a mess room, and one or two
small pavilions. They are the gems of the palace, it is true,
but without the courts and corridors connecting them they lose
all their meaning and more than half their beauty. Being now
situated in the midst of a British barrack yard, they look like
precious stones torn from their settings in some exquisite piece
of oriental jeweler's work and set at random in a bed of the
commonest plaster."
Public-domain text, read in full here on John Shaqi.
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