Bands of nautches are considered necessary appurtenances of the
courts of native Hindu princes, although they are never found
in the palaces of Mohammedans. They are brought forward upon
all occasions of ceremony, religious, official and convivial.
If the viceroy visits the capital of one of the native states he
is entertained by their best performances. They have a place on
the programme at all celebrations of feast days; they appear at
weddings and birthday anniversaries, and are quite as important
as an orchestra at one of our social occasions at home. They are
invited to the homes of native gentlemen on all great occasions
and are treated with the utmost deference and generosity. They
are permitted liberties and are accorded honors that would not be
granted to the wives and daughters of those who entertain them,
and stand on the same level as the Brahmin priests, yet they
are what we would call women of the town, and receive visitors
indiscriminately in the temples and other sacred places, according
to their pleasure and whims.
A stranger in India finds it difficult to reconcile these facts,
but any resident will assure you of the truth. The priests are
said to encourage the attentions of rich young Hindus because of
the gifts of money and jewels they are in the habit of showering
upon nautches they admire, but each girl is supposed to have a
"steady" lover, upon whom she bestows her affections for the
time being. He may be old or young, married or unmarried, rich or
poor, for as a rule it is to these women that a Hindu gentleman
turns for the companionship which his own home does not supply.
There is a difference of opinion as to the beauty of the nautches.
It is purely a matter of taste. There is no rule by which personal
attractions may be measured, and doubtless there may be beautiful
women among them, but, so far, I have never seen one. Their costumes
are usually very elaborate, the materials being of the rarest and
finest qualities and profusely embroidered, and their jewels are
usually costly. Their manners are gentle, refined and modest; they
are perfectly self-possessed under all circumstances, and, while
their dancing would not be attractive to the average American
taste, it is not immodest, and consists of a succession of graceful
gestures and posturing which is supposed to have a definite meaning
and express sentiments and emotions. Most of the dances are
interpretations of poems, legends, stories of the gods and heroes
of Indian mythology. Educated Hindus profess to be able to understand
them, although to a foreigner they are nothing more than meaningless
motions. I have asked the same question of several missionaries,
but have never been able to discover a nautch dancer who has
abandoned her vocation, or has deserted her temple, or has run
away with a lover, or has been reached in any way by the various
missions for women in India. They seem to be perfectly satisfied
with their present and their future.
Public-domain text, read in full here on John Shaqi.
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