Benares is the principal center of the idol trade, and a large
part of the population are engaged in making images of the various
gods in gold, silver, brass, copper, wood, stone, clay and other
materials. Most of the work is done in the households. There
are several small factories, but none employs more than ten or
a dozen men, and the streets are lined with little shops, no
bigger than an ordinary linen closet in an American house. Each
opens entirely upon the street, there are no doors or windows,
and when the proprietor wants to close he puts up heavy wooden
shutters that fit into grooves in the threshold and the beam
that sustains the roof. The shelves that hang from the three
walls are covered with all kinds of images in all sizes and of
all materials, and between sales the proprietor squats on the
floor in the middle of his little establishment making more.
The largest number are made of brass and clay. They are shaped
in rude molds and afterward finished with the file and chisel.
The large idols found in the temples are often works of art,
but many of them and some of the most highly revered are of the
rudest workmanship.
There is a funny story that has been floating about for many
years that most of the idols worshiped in heathen lands are made
in Christian countries and shipped over by the car load. This
is certainly not true so far as India is concerned. There is
no evidence upon the records of the custom-house to show that
any idols are imported and it would be impossible for any
manufacturer in the United States or Europe to compete with the
native artisans of Benares or other cities.
XXVIII
AMERICAN MISSIONS IN INDIA
Public-domain text, read in full here on John Shaqi.
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