Modern Italian Poets; Essays and VersionsHowells, William Dean
History
Modern Italian Poets; Essays and Versions
Howells, William Dean
Italian poetry -- 18th century -- History and criticism; Italian poetry -- 19th century -- History and criticism
A much better poet of the Romantic School was Tommaso Grossi, who,
like Manzoni and Pellico, is now best known by a prose work--a novel
which enjoys a popularity as great as that of “Le Mie Prigioni”, and
which has been nearly as much read in Italy as “I Promessi Sposi”. The
“Marco Visconti” of Grossi is a romance of the thirteenth century; and
though not, as Cantù says, an historic “episode, but a succession of
episodes, which do not leave a general and unique impression,” it yet
contrives to bring you so pleasantly acquainted with the splendid,
squalid, poetic, miserable Italian life in Milan, and on its
neighboring hills and lakes, during the Middle Ages, that you cannot
help reading it to the end. I suppose that this is the highest praise
which can be bestowed upon an historical romance, and that it implies
great charm of narrative and beauty of style. I can add, that the
feeling of Grossi's “Marco Visconti” is genuine and exalted, and that
its morality is blameless. It has scarcely the right to be analyzed
here, however, and should not have been more than mentioned, but for
the fact that it chances to be the setting of the author's best thing
in verse. I hope that, even in my crude English version, the artless
pathos and sweet natural grace of one of the tenderest little songs in
any tongue have not wholly perished.
{Illustration: TOMMASO GROSSI.}
THE FAIR PRISONER TO THE SWALLOW.
Pilgrim swallow! pilgrim swallow!
On my grated window's sill,
Singing, as the mornings follow,
Quaint and pensive ditties still,
What would'st tell me in thy lay?
Prithee, pilgrim swallow, say!
All forgotten, com'st thou hither
Of thy tender spouse forlorn,
That we two may grieve together,
Little widow, sorrow worn?
Grieve then, weep then, in thy lay!
Pilgrim swallow, grieve alway!
Yet a lighter woe thou weepest:
Thou at least art free of wing,
And while land and lake thou sweepest,
May'st make heaven with sorrow ring,
Calling his dear name alway,
Pilgrim swallow, in thy lay.
Could I too! that am forbidden
By this low and narrow cell,
Whence the sun's fair light is hidden,
Whence thou scarce can'st hear me tell
Sorrows that I breathe alway,
While thou pip'st thy plaintive lay.
Ah! September quickly coming,
Thou shalt take farewell of me,
And, to other summers roaming,
Other hills and waters see,--
Greeting them with songs more gay,
Pilgrim swallow, far away.
Still, with every hopeless morrow,
While I ope mine eyes in tears,
Sweetly through my brooding sorrow
Thy dear song shall reach mine ears,--
Pitying me, though far away,
Pilgrim swallow, in thy lay.
Thou, when thou and spring together
Here return, a cross shalt see,--
In the pleasant evening weather,
Wheel and pipe, here, over me!
Peace and peace! the coming May,
Sing me in thy roundelay!
Public-domain text, read in full here on John Shaqi.
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