Modern Italian Poets; Essays and VersionsHowells, William Dean
History
Modern Italian Poets; Essays and Versions
Howells, William Dean
Italian poetry -- 18th century -- History and criticism; Italian poetry -- 19th century -- History and criticism
O' the stars among the breaking clouds appears.
Praise to the Lord! The eternal harmony
Of all his work I feel. Though these vague beams
Reveal to me here only fens and tombs,
My soul is not so heavily weighed down
By burdens that oppressed it....
I rise to grander purposes: man's tents
Are here below, his city is in heaven.
I doubt no more; the terror of the cloister
No longer assails me.
Presently Giordano comes to join Arnaldo in this desolate place, and,
in the sad colloquy which follows, tells him of the events of Rome,
and the hopelessness of their cause, unless they have the aid and
countenance of the Emperor. He implores Arnaldo to accompany the
embassy which he is about to send to Frederick; but Arnaldo, with
a melancholy disdain, refuses. He asks where are the Swiss who
accompanied him to Rome, and he is answered by one of the Swiss
captains, who at that moment appears. The Emperor has ordered them to
return home, under penalty of the ban of the empire. He begs Arnaldo
to return with them, but Arnaldo will not; and Giordano sends him
under a strong escort to the castle of Ostasio. Arnaldo departs with
much misgiving, for the wife of Ostasio is Adelasia, a bigoted papist,
who has hitherto resisted the teaching to which her husband has been
converted.
As the escort departs, the returning Swiss are seen. One of their
leaders expresses the fear that moves them, when he says that the
Germans will desolate their homes if they do not return to them.
Moreover, the Italian sun, which destroys even those born under it,
drains their life, and man and nature are leagued against them there.
“What have you known here!” he asks, and his soldiers reply in chorus:
The pride of old names, the caprices of fate,
In vast desert spaces the silence of death,
Or in mist-hidden lowlands, his wandering fires;
No sweet song of birds, no heart-cheering sound,
But eternal memorials of ancient despair,
And ruins and tombs that waken dismay
At the moan of the pines that are stirred by the wind.
Full of dark and mysterious peril the woods;
No life-giving fountains, but only bare sands,
Or some deep-bedded river that silently moves,
With a wave that is livid and stagnant, between
Its margins ungladdened by grass or by flowers,
And in sterile sands vanishes wholly away.
Out of huts that by turns have been shambles and tombs,
All pallid and naked, and burned by their fevers,
The peasant folk suddenly stare as you pass,
With visages ghastly, and eyes full of hate,
Aroused by the accent that's strange to their ears.
Oh, heavily hang the clouds here on the head!
Wan and sick is the earth, and the sun is a tyrant.
Then one of the Swiss soldiers speaks alone:
Public-domain text, read in full here on John Shaqi.
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