Modern Italian Poets; Essays and VersionsHowells, William Dean
History
Modern Italian Poets; Essays and Versions
Howells, William Dean
Italian poetry -- 18th century -- History and criticism; Italian poetry -- 19th century -- History and criticism
_Ad._ I love him, yes, I love him, though he's changed
From that he was. Some gloomy cloud involves
That face one day so fair, and 'neath the feet,
Now grown deformed, the flowers wither away.
I know not if I sleep or if I wake,
If what I see be a vision or a dream.
But all is dreadful, and I cannot tell
The falsehood from the truth; for if I reason,
I fear to sin. I fly the happy bed
Where I became a mother, but return
In midnight's horror, where my husband lies
Wrapt in a sleep so deep it frightens me,
And question with my trembling hand his heart,
The fountain of his life, if it still beat.
Then a cold kiss I give him, then embrace him
With shuddering joy, and then I fly again,--
For I do fear his love,--and to the place
Where sleep my little ones I hurl myself,
And wake them with my moans, and drag them forth
Before an old miraculous shrine of her,
The Queen of Heaven, to whom I've consecrated,
With never-ceasing vigils, burning lamps.
There naked, stretched upon the hard earth, weep
My pretty babes, and each of them repeats
The name of Mary whom I call upon;
And I would swear that she looks down and weeps.
Then I cry out, “Have pity on my children!
Thou wast a mother, and the good obtain
Forgiveness for the guilty.”
Adrian has little trouble to draw from the distracted woman the fact
that her husband is a heretic--that heretic, indeed, in whose castle
Arnaldo is concealed. On his promise that he will save her husband,
she tells him the name of the castle. He summons Frederick, who
claims Ostasio as his vassal, and declares that he shall die, and his
children shall be carried to Germany. Adrian, after coldly asking the
Emperor to spare him, feigns himself helpless, and Adelasia too late
awakens to a knowledge of his perfidy. She falls at his feet:
I clasp thy knees once more, and I do hope
Thou hast not cheated me!... Ah, now I see
Thy wicked arts! Because thou knewest well
My husband was a vassal of the empire,
That pardon which it was not thine to give
Thou didst pretend to promise me. O priest,
Is this thy pity? Sorrow gives me back
My wandering reason, and I waken on
The brink of an abyss; and from this wretch
The mask that did so hide his face drops down
And shows it in its naked hideousness
Unto the light of truth.
Public-domain text, read in full here on John Shaqi.
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