Modern Italian Poets; Essays and VersionsHowells, William Dean
History
Modern Italian Poets; Essays and Versions
Howells, William Dean
Italian poetry -- 18th century -- History and criticism; Italian poetry -- 19th century -- History and criticism
throws light upon some of the springs of action in Tuscany. He had
been arrested for a supposed share in applause supposed revolutionary
at the theater; he boldly denied that he had been at the play. “If
you were not at the theater, how came your name on the list of the
accused?” demanded the logical commissary. “Perhaps,” answered Giusti,
“the spies have me so much in mind that they see me where I am not....
Here,” he continues, “the commissary fell into a rage, but I remained
firm, and cited the Count Mastiani in proof, with whom the man often
dined,”--Mastiani being governor in Pisa and the head of society. “At
the name of Mastiani there seemed to pass before the commissary a long
array of stewed and roast, eaten and to be eaten, so that he instantly
turned and said to me, 'Go, and at any rate take this summons for a
paternal admonition.'” Ever since the French Revolution of 1830, and
the sympathetic movements in Italy, Giusti had written political
satires which passed from hand to hand in manuscript copies, the
possession of which was rendered all the more eager and relishing by
the pleasure of concealing them from spies; so that for a defective
copy a person by no means rich would give as much as ten scudi. When a
Swiss printed edition appeared in 1844, half the delight in them was
gone; the violation of the law being naturally so dear to the human
heart that, when combined with patriotism, it is almost a rapture.
But, in the midst of his political satirizing, Giusti felt the sting
of one who is himself a greater satirist than any, when he will,
though he is commonly known for a sentimentalist. The poet fell in
love very seriously and, it proved, very unhappily, as he has recorded
in three or four poems of great sweetness and grace, but no very
characteristic merit. This passion is improbably believed to have
had a disastrous effect upon Giusti's health, and ultimately to have
shortened his life; but then the Italians always like to have their
poets _agonizzanti_, at least. Like a true humorist, Giusti has
himself taken both sides of the question; professing himself properly
heart-broken in the poems referred to, and in a letter written late
in life, after he had encountered his faded love at his own home in
Pescia, making a jest of any reconciliation or renewal of the old
passion between them.
Public-domain text, read in full here on John Shaqi.
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