Modern Italian Poets; Essays and VersionsHowells, William Dean
History
Modern Italian Poets; Essays and Versions
Howells, William Dean
Italian poetry -- 18th century -- History and criticism; Italian poetry -- 19th century -- History and criticism
In the wind his mane blown back,
With a frantic plunge and neigh,--
In the shadow a shadow black,
Ever wilder he flies away,--
Through the tempest and the night,
Like a winged thing in flight.
From his throbbing flanks arise
Smokes of fever and of sweat,--
Over him the pebble flies
From his swift feet swifter yet,--
Through the tempest and the night,
Like a winged thing in flight.
From the cliff unto the wood,
Twenty leagues he passed in all;
Soaked with bloody foam and blood,
Blind he struck against the wall:
Death is in the seat; no more
Stirs the steed that flew before.
III.
And the while, upon the colorless,
Death-white visage of the dying
Maiden, still and faint and fair,
Rosy lights arise and wane;
And her weakness lifting tremulous
From the couch where she was lying
Her long, beautiful, loose hair
Strives she to adorn in vain.
“Mother, what it is has startled me
From my sleep I cannot tell thee:
Only, rise and deck me well
In my fairest robes again.
For, last night, in the thick silences,--
I know not how it befell me,--
But the gallop of Ruel,
More than once I heard it plain.
“Look, O mother, through yon shadowy
Trees, beyond their gloomy cover:
Canst thou not an atom see
Toward us from the distance start?
Seest thou not the dust rise cloudily,
And above the highway hover?
Come at last! 'T is he! 't is he!
Mother, something breaks my heart.”
Ah, poor child! she raises wearily
Her dim eyes, and, turning slowly,
Seeks the sun, and leaves this strife
With a loved name in her breath.
Ah, poor child! in vain she waited him.
In the grave they made her lowly
Bridal bed. And thou, O life!
Hast no hopes that know not death?
Among Prati's patriotic poems, I have read one which seems to me
rather vivid, and which because it reflects yet another phase of that
great Italian resurrection, as well as represents Prati in one of his
best moods, I will give here:
THE SPY.
With ears intent, with eyes abased,
Like a shadow still my steps thou hast chased;
If I whisper aught to my friend, I feel
Thee follow quickly upon my heel.
Poor wretch, thou fill'st me with loathing; fly!
Thou art a spy!
When thou eatest the bread that thou dost win
With the filthy wages of thy sin,
The hideous face of treason anear
Dost thou not see? dost thou not fear?
Poor wretch, thou fill'st me with loathing; fly!
Thou art a spy!
The thief may sometimes my pity claim;
Sometimes the harlot for her shame;
Even the murderer in his chains
A hidden fear from me constrains;
But thou only fill'st me with loathing; fly!
Thou art a spy!
Public-domain text, read in full here on John Shaqi.
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