Modern Italian Poets; Essays and VersionsHowells, William Dean
History
Modern Italian Poets; Essays and Versions
Howells, William Dean
Italian poetry -- 18th century -- History and criticism; Italian poetry -- 19th century -- History and criticism
How many were the peoples? Where the trace
Of their lost steps? Where the funereal fields
In which they sleep? Go, ask the clouds of heaven
How many bolts are hidden in their breasts,
And when they shall be launched; and ask the path
That they shall keep in the unfurrowed air.
The peoples passed. Obscure as destiny,
Forever stirred by secret hope, forever
Waiting upon the promised mysteries,
Unknowing God, that urged them, turning still
To some kind star,--they swept o'er the sea-weed
In unknown waters, fearless swam the course
Of nameless rivers, wrote with flying feet
The mountain pass on pathless snows; impatient
Of rest, for aye, from Babylon to Memphis,
From the Acropolis to Rome, they hurried.
And with them passed their guardian household gods,
And faithful wisdom of their ancestors,
And the seed sown in mother fields, and gathered,
A fruitful harvest in their happier years.
And, 'companying the order of their steps
Upon the way, they sung the choruses
And sacred burdens of their country's songs,
And, sitting down by hospitable gates,
They told the histories of their far-off cities.
And sometimes in the lonely darknesses
Upon the ambiguous way they found a light,--
The deathless lamp of some great truth, that Heaven
Sent in compassionate answer to their prayers.
But not to all was given it to endure
That ceaseless pilgrimage, and not on all
Did the heavens smile perennity of life
Revirginate with never-ceasing change;
And when it had completed the great work
Which God had destined for its race to do,
Sometimes a weary people laid them down
To rest them, like a weary man, and left
Their nude bones in a vale of expiation,
And passed away as utterly forever
As mist that snows itself into the sea.
The poet views this growth of nations from youth to decrepitude, and,
coming back at last to himself and to his own laud and time, breaks
forth into a lament of grave and touching beauty:
Muse of an aged people, in the eve
Of fading civilization, I was born
Of kindred that have greatly expiated
And greatly wept. For me the ambrosial fingers
Of Graces never wove the laurel crown,
But the Fates shadowed, from my youngest days,
My brow with passion-flowers, and I have lived
Unknown to my dear land. Oh, fortunate
My sisters that in the heroic dawn
Of races sung! To them did destiny give
The virgin fire and chaste ingenuousness
Of their land's speech; and, reverenced, their hands
Ran over potent strings. To me, the hopes
Turbid with hate; to me, the senile rage;
To me, the painted fancies clothed by art
Degenerate; to me, the desperate wish,
Not in my soul to nurse ungenerous dreams,
But to contend, and with the sword of song
To fight my battles too.
Public-domain text, read in full here on John Shaqi.
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