Modern Italian Poets; Essays and VersionsHowells, William Dean
History
Modern Italian Poets; Essays and Versions
Howells, William Dean
Italian poetry -- 18th century -- History and criticism; Italian poetry -- 19th century -- History and criticism
A furrowed brow, with cavernous eyes aglow;
Hair tawny; hollow cheeks; looks resolute;
Lips pouting, but to smiles and pleasance slow;
Head bowed, neck beautiful, and breast hirsute;
Limbs shapely; simple, yet elect, in dress;
Rapid my steps, my thoughts, my acts, my tones;
Grave, humane, stubborn, prodigal to excess;
To the world adverse, fortune me disowns.
Shame makes me vile, and anger makes me brave,
Reason in me is cautious, but my heart
Doth, rich in vices and in virtues, rave;
Sad for the most, and oft alone, apart;
Incredulous alike of hope and fear,
Death shall bring rest and honor to my bier.
{Illustration: UGO FOSCOLO.}
Cantù thinks that Foscolo succeeded, by imitating unusual models, in
seeming original, and probably more with reference to the time in
which he wrote than to the qualities of his mind, classes him with the
school of Monti. Although his poetry is full of mythology and classic
allusion, the use of the well-worn machinery is less mechanical than
in Monti; and Foscolo, writing always with one high purpose, was
essentially different in inspiration from the poet who merchandised
his genius and sold his song to any party threatening hard or paying
well. Foscolo was a brave man, and faithfully loved freedom, and he
must be ranked with those poets who, in later times, have devoted
themselves to the liberation of Italy. He is classic in his forms, but
he is revolutionary, and he hoped for some ideal Athenian liberty for
his country, rather than the English freedom she enjoys. But we cannot
venture to pronounce dead or idle the Greek tradition, and we must
confess that the romanticism which brought into literary worship the
trumpery picturesqueness of the Middle Ages was a lapse from generous
feeling.
ALESSANDRO MANZONI
I
It was not till the turbulent days of the Napoleonic age were past,
that the theories and thoughts of Romance were introduced into Italy.
When these days came to an end, the whole political character of
the peninsula reverted, as nearly as possible, to that of the times
preceding the revolutions. The Bourbons were restored to Naples, the
Pope to Rome, the Dukes and Grand Dukes to their several states, the
House of Savoy to Piedmont, and the Austrians to Venice and Lombardy;
and it was agreed among all these despotic governments that there was
to be no Italy save, as Metternich suggested, in a geographical sense.
They encouraged a relapse, among their subjects, into the follies and
vices of the past, and they largely succeeded. But, after all, the
age was against them; and people who have once desired and done great
things are slow to forget them, though the censor may forbid them to
be named, and the prison and the scaffold may enforce his behest.
Public-domain text, read in full here on John Shaqi.
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