Modern Italian Poets; Essays and VersionsHowells, William Dean
History
Modern Italian Poets; Essays and Versions
Howells, William Dean
Italian poetry -- 18th century -- History and criticism; Italian poetry -- 19th century -- History and criticism
In the Carmagnola, the action extends from the moment when the
Venetian Senate, at war with the Duke of Milan, places its armies
under the command of the count, who is a soldier of fortune and
has formerly been in the service of the Duke. The Senate sends two
commissioners into his camp to represent the state there, and to be
spies upon his conduct. This was a somewhat clumsy contrivance of the
Republic to give a patriotic character to its armies, which were often
recruited from mercenaries and generaled by them; and, of course, the
hireling leaders must always have chafed under the surveillance. After
the battle of Maclodio, in which the Venetian mercenaries defeated the
Milanese, the victors, according to the custom of their trade,
began to free their comrades of the other side whom they had taken
prisoners. The commissioners protested against this waste of results,
but Carmagnola answered that it was the usage of his soldiers, and
he could not forbid it; he went further, and himself liberated some
remaining prisoners. His action was duly reported to the Senate, and
as he had formerly been in the service of the Duke of Milan, whose
kinswoman he had married, he was suspected of treason. He was invited
to Venice, and received with great honor, and conducted with every
flattering ceremony to the hall of the Grand Council. After a brief
delay, sufficient to exclude Carmagnola's followers, the Doge ordered
him to be seized, and upon a summary trial he was put to death. From
this tragedy I give first a translation of that famous chorus of which
I have already spoken; I have kept the measure and the movement of the
original at some loss of literality. The poem is introduced into the
scene immediately succeeding the battle of Maclodio, where the two
bands of those Italian _condottieri_ had met to butcher each other
in the interests severally of the Duke of Milan and the Signory of
Venice.
CHORUS.
On the right hand a trumpet is sounding,
On the left hand a trumpet replying,
The field upon all sides resounding
With the trampling of foot and of horse.
Yonder flashes a flag; yonder flying
Through the still air a bannerol glances;
Here a squadron embattled advances,
There another that threatens its course.
The space 'twixt the foes now beneath them
Is hid, and on swords the sword ringeth;
In the hearts of each other they sheathe them;
Blood runs, they redouble their blows.
Who are these? To our fair fields what bringeth
To make war upon us, this stranger?
Which is he that hath sworn to avenge her,
The land of his birth, on her foes?
Public-domain text, read in full here on John Shaqi.
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