I have not compared M. Thiers with Jules Favre. Any juxtaposition of the two ought rather perhaps to be in the way of contrast than of comparison. Jules Favre is probably the most exquisite and perfect rhetorician practising in the public debates of our time. No one else can lend so brilliant an effect, so delightful an emphasis to words and phrases by the mere modulations of his tone. I once heard a French workingman say that Jules Favre _parlait comme un ange_--talked like an angel; and there was a simple appropriateness in the expression. An angel, if he had to address so unsympathetic and uncongenial an audience as the Imperial Corps Législatif, could hardly lend more musical effect to the meaning of his words than was given by Jules Favre's consummate rhetorical skill. But I must acknowledge that to me at least there never seemed to be much in what Jules Favre said. It seemed to me too often to want marrow and backbone. It was an eloquence of fine phrases and splendid vague generalities. "Flow on, thou shining river," one felt sometimes inclined to say as the bright, broad, shallow stream glided away. If Thiers spoke for half a day, and the discourse covered a dozen columns of the closely-printed "Moniteur," yet the listener or reader came away with the impression that the orator had crammed quite a surprising quantity of matter into his speech, and could have found ever so much more to say on the same subject. The impression produced on me at least by the speeches of Jules Favre was always of the very opposite character. They seemed to be all rhetoric and modulation; they were without depth and without fibre. The essentially declamatory character of Jules Favre's eloquence received its most complete illustration in that remarkable document--so painful and pathetic because of its obvious earnestness, so ludicrous and almost contemptible because of its turgid and extravagant outbursts--the report of his recent interviews with Count von Bismarck at the Prussian headquarters near Versailles. One must keep constantly in mind the awful seriousness of the situation, and the genuine suffering which it must have imposed upon Jules Favre, not to laugh outright or feel disgusted at the inflated, hyperbolical, and melodramatic style in which the Republican Minister describes his interview with the Prussian Chancellor. Now, whatever faults of style M. Thiers might commit, he never could thus make himself ridiculous. He never allows himself to be out of tune with the occasion and the audience. You may differ utterly from him, you may distrust and dislike him; but Thiers, the parliamentary orator, will not permit you to laugh at him.