One of the great questions likely to arise soon in English political discussion is that of national education. On educational questions I fancy Mr. Gladstone is rather narrow-minded and old-fashioned; taking too much the tone and view of a college Don. His recent severance from the political representation of Oxford may have done something to release his mind from tradition and pedantry; but I much doubt whether he will not be found sadly wanting when a serious attempt is made to revolutionize the principles and the system of the English universities, and to substitute there (I quote again the language of Grant Duff) "the studies of men for the studies of children." Gladstone is a devotee of classical study; and his whole nature is under the influence of æstheticism, or of what is commonly called "sentiment." The sweet and genial traditions of the past have immense influence over him. His love of Greek poetry and of Italian art follow him into politics. With the Teuton, his poetry and his politics he has little or no sympathy; and I think the question to be decided shortly as regards the university system in England maybe figuratively described as a question between Classic and Teuton. Gladstone is a profound Greek and Latin scholar--a master of Italian, a connoisseur of Italian art; he does not, I believe, know or care much about German literature. Accordingly, he was a devoted Philhellene and a passionate champion of Italian independence; while the outbreak of the recent struggle between the past and the present in Germany found him indifferent, and probably even ignorant. So it was in regard to the American crisis the other day. He knew little of American politics and national life; and the whole thing was a bewilderment and a surprise to him. If the Laocoon had been the work of a New England artist I think the North would have found at once a warm advocate in Mr. Gladstone. Of a mould utterly different is John Bright, at the very root of whose character are found simplicity and straightforwardness. By simplicity I do not mean freedom from pretence or affectation; for no man can be more thoroughly unaffected and sincere than Gladstone. I mean that purely intellectual attribute which frees the judgment from the influence of complex emotions; which distinguishes at once essentials from non-essentials; which sees at a glance the true end and the real way to it, and can go directly onward. Men supremely gifted with this great practical quality are commonly set down as men of one idea. In this sense, undoubtedly, John Bright is a man of one idea; but the phrase does not justly describe him, or men like him, who are peculiar merely in having an accurate appreciation of what I may call political perspective, and thus knowing what proportion of public consideration certain objects ought, under certain circumstances, to obtain.