self-sacrifice never enters the mind of the reader, and it seems to him that Nello could not do otherwise than as he is doing. I speak of these two stories particularly, because in both of them there is a good deal of the world and the flesh; that is, both are stories of strong human passion and temptation. Many of George Sand's novels, the shorter ones especially, are as absolutely pure in moral tone, as entirely free from even a taint or suggestion of impurity, as they are perfect in style. Now, if we cannot help knowing that much of this great woman's life was far from being irreproachable, are we not bound to give her all the fuller credit because her genius at least kept so far the whiteness of its soul? Revolutions are not to be made with rose water; you cannot have omelettes without breaking of eggs. I am afraid that great social revolutionists are not often creatures of the most pure and perfect nature. It is not to patient Griselda you must look for any protest against even the uttermost tyranny of social conventions. One thing I think may at least be admitted as part of George Sand's vindication--that the marriage system in France is the most debased and debasing institution existing in civilized society, now that the buying and selling of slaves has ceased to be a tolerated system. I hold that the most ardent advocates of the irrevocable endurance of the marriage bond are bound by their very principles to admit that in protesting against the so-called marriage system of France George Sand stood on the side of purity and right. Assuredly she often went into extravagances in the other direction. It seems to be the fate of all French reformers to rush suddenly to extremes; and we must remember that George Sand was not a Bristol Quakeress or a Boston transcendentalist, but a passionate Frenchwoman, the descendant of one of the maddest votaries of love and war who ever stormed across the stage of European history.