He was in favor of the Crimean war; and for this once therefore he found himself on the side of the majority. As if to mark the contrast of views which it has been the fate of these two brothers to present during their lives, it so happened that, so far as John Henry's opinions on the subject could be learned by the public, they were against the war. At least they were decidedly against the Turks. I remember hearing him deliver at that time a course of lectures in an educational institution, having for their subject the origin and the results of the Ottoman settlement in Europe. I well remember how effectively and vividly he argued, with his thin voice and his constrained, ungraceful action, that the Turk had no greater moral right to the territory he occupies, but does not cultivate and improve, than the pirate has to the sea over which he sails. But Francis Newman was then for once mixed up with the majority; and I doubt whether he could have much liked the unwonted position. He certainly took care to explain more than once that his reasons for taking that side were not those of the average Englishman. He thus might have given some of his casual associates occasion to say of him, as Charles Mathews says of woman in general, that even when he is right he is right in a wrong sort of way. For myself I am inclined to reverse the saying, and declare of Francis Newman that even when he is wrong he is wrong in a right sort of way. He was right, and in a very right sort of way, when he came out from his habitual seclusion during the American civil war, and stood up on many a platform for the cause of the Union. Like his brother, he is a poor public speaker. At his very best he is the professor talking to his class, not the orator addressing a crowd. His manner is singularly constrained, ineffective, and even awkward; his voice is thin and weak. There is a certain very small and rare class of bad speakers, which has yet a virtue and charm of its own almost equal to eloquence. I am now thinking of men utterly wanting in all the arts and graces, in all the power and effect of rhetorical delivery, but who yet with whatever defect of manner can say such striking things, can put such noble thoughts into expressive words, can be so entirely original and so completely masters of their subject, that they seem to be orators in all but voice and manner. Horace Greeley always is, to me at least, such a speaker; so is Stuart Mill. These are bad speakers as Jane Eyre or Consuelo may have been an unlovely woman; all the rules declare against them, all the intelligences and sympathies are in their favor. But Francis Newman is not a speaker of this kind. He is feeble, ineffective, and often even commonplace. Nature has denied to him the faculty of adequately expressing himself in spoken words. He is almost as much out of his element when addressing a public meeting as he would be if he were singing in an opera. Few Englishmen living can claim to be the