Modern Leaders: Being a Series of Biographical SketchesMcCarthy, Justin
History
Modern Leaders: Being a Series of Biographical Sketches
McCarthy, Justin
Biography
dragged Grace Carden out of the raging flood, the force of the water
washed away the heroine's stockings and garters and left her barefoot.
Some irreverent critics would only laugh at the gravity with which the
author detailed this important circumstance. Others, however, insisted
that this little touch, so homely, and to the profane mind so
exceedingly ridiculous, was necessary and artistic; that it heightened
the effect of the great word-picture previously shown by the force of
its practical and circumstantial reality. However this momentous
controversy may settle itself in the estimation of readers, it cannot be
denied that some at least of Reade's success is due to the courage and
self-reliance which will brave the risk of being ridiculous for the sake
of being real and effective. Indeed, Mr. Reade wants no quality which is
necessary to make a powerful story-teller, while he is distinguished
from all mere story-tellers by the fact that he has some great social
object to serve in nearly everything he undertakes to detail. More than
this I do not believe he is, nor, despite the evidences of something yet
higher which were given in "Christie Johnstone" and "The Cloister and
the Hearth," do I think he ever could have been. He is a magnificent
specimen of the modern special correspondent, endowed with the
additional and unique gift of a faculty for throwing his report into the
form of a thrilling story. But it requires something more than this,
something higher than this, to make a great novelist whom the world will
always remember. Mr. Reade is unsurpassed in the second class of English
novelists, but he does not belong to the front rank. His success has
been great in its way, but it is for an age and not for time.
THE EXILE-WORLD OF LONDON.
Leicester Square and the region that lies around it are conventionally
regarded as the exile quarter of London. The name of Leicester square
suggests the idea of an exile, as surely and readily, even to the mind
of one who has never looked on the mournful and decaying enclosure, as
the name of Billingsgate does that of fish-woman, or the name of the
Temple that of a law-student. Yet, if a stranger visiting London thinks
he is likely to see any exile of celebrity, while pacing the streets
which branch off Leicester square, he will be almost as much mistaken as
if he were to range Eastcheap in the hope of meeting the wild Prince and
Poins.
Public-domain text, read in full here on John Shaqi.
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