"It is now sixteen or seventeen years," says Edmund Burke, in that famous passage to which one is almost ashamed to allude any more, so hackneyed has it been, "since first I saw the Queen of France, then the Dauphiness, at Versailles; and surely never lighted on this orb, which she hardly seemed to touch, a more delightful vision." That glowing, impassioned apostrophe did more to make partisans and admirers for poor Marie Antoinette among all English-speaking peoples, probably for all time, than any charms, or virtues, or misfortunes of the Queen and the woman could have done. I can never of late read or recall to mind the burning words of Burke, without thinking of a certain day in March some seven years ago, when I stood on a platform in Trafalgar Square, London, and saw a bright, beautiful young face smiling and bending to a vast enthusiastic crowd on either side, and I, like everybody else, was literally stricken with admiration of the beauty, the sweetness, and the grace of the Princess Alexandra of Denmark. In truth, I am not in general an enthusiast about princes or princesses; I do not believe that the king's face usually gives grace. In this instance the beauty of the Princess Alexandra had been so noisily trumpeted by literary lacqueys already, that one's natural instinct was to feel disappointed, and to say so, when the Princess herself came in sight. But it was impossible to feel disappointment, or anything but admiration, at the sight of that bright, fair face, so transparent in the clearness of its complexion, so delicate and refined in its outlines, so sweet and gracious in its expression. I think something like the old-fashioned, chivalric, chimerical feeling of personal loyalty must have flamed up for the moment that day in the hearts of many men, who perhaps would have been ashamed to confess that their first experience of such an emotion was due to a passing glimpse of the face of a pretty, tremulous girl.