If ours were days of augury, men might have shuddered at the omens which accompanied the wedding ceremonies of the Prince and Princess of Wales. When Goethe, then a youth, surveyed the preparations for the reception of Marie Antoinette at Strasbourg, on her way to Paris, he observed significantly on the inauspicious fact that in the grand chamber adorned for her coming, the tapestry represented the wedding of Jason and Medea. The civil authorities of London certainly did not greet the fair stranger with any such grisly and ghastly emblazonings; but there were other and even more inauspicious omens offered by chance and the hour. The sky darkened, a dreary wind whistled; presently the rain came down in drenching streams that would not abate. There was a mourning-garb at the wedding--the black dress of the Queen, who would not lay aside her widow's-weeds even for that hour; and the night of the wedding, when the streets of London were illuminated, the crowd was so great that, as on a memorable occasion in the early married life of Marie Antoinette, people were crushed and trampled to death amid the universal jubilation. Well, we defy augury, with Hamlet. But I think some at least in the crowd who welcomed Alexandra felt a kind of doubt and pity as to her future, which needed no inspiration from omens and superstition. No foreign princess has ever been so popular in England as Alexandra; and assuredly some at least of the affection felt for her springs from a pity which, whether called for or not, is genuine and universal. The last time I saw the Princess of Wales was within a very few days of my leaving England to visit the United States. It was in Drury Lane Theatre, then fitted up as an opera house in consequence of the recent burning of Her Majesty's Theatre. The Prince of Wales, his wife, and one of his sisters were in their box. I had not seen the Princess for some time, and I was painfully impressed with the change which had come over her. Remembering, as it was easy to do, the brightness of her beauty during the early days of her marriage, there was something almost shocking in the altered appearance of her face. It looked wasted and haggard; the complexion, which used to be so dazzlingly fair, had grown dull, and, if I may say so, discolored; and I must be ungracious enough to declare bluntly that, to my eyes at least, there seemed little trace indeed of the beauty of a few years before left in that dimmed and worn countenance. "Only the eyes remained--they would not go." Of course, it must be remembered that the Princess was then only just recovering from a long, painful, and exhausting illness; and she may have--I truly hope she has--since then regained all her brightness and beauty. In any case, it would be unjust indeed to assume that the wasted look of the Princess was to be attributed to domestic unhappiness. But even a very matter-of-fact and unsentimental person, looking at her then, and