So much at least has to be said against the Prince of Wales, and cannot be gainsaid. All that he could do by countenance and patronage to encourage a debauching and degrading style of theatric entertainment, he has done. He is said to be fond of the singing of the vulgar and low buffoons of the music-halls, and to have had such persons brought specially to his residence, Marlborough House, to sing for him. I have been assured of this often by persons who professed to know; but I do not know anything of it myself, nor is it indeed a matter of any importance. The other facts are known to everybody who reads the London papers. The manager or manageress of a theatre takes good care to announce in the journals when a visit from the Prince of Wales has taken place, and we all thus come to know how many times a week the little theatric temples of nakedness have been honored by his presence. Am I attaching too much importance to such matters as this? I think not. The social influence and moral example of a royal personage in England are now almost the only agencies by which the royal personage can affect us for good or evil. I hold that no man thoughtful or prudent enough, no matter what his morals, to be fit to occupy the position assigned to the Prince of Wales, would be guilty of lending his public and constant patronage to such exhibitions and amusements as those which he especially patronizes. Moreover, the Prince has often shown a disregard, either cynical or stupid--probably the latter--for public opinion, a heedlessness of public scandal, in other matters as well. He has made companionship for himself among young noblemen conspicuous for their debauchery. At a time, not very long ago, when the Divorce Court was occupied with the hearing of a scandalous cause, in which a certain young duke figured most prominently and disgracefully, this young duke was daily and nightly to be seen the close companion of the Prince of Wales.