Let me touch upon another subject, of a somewhat delicate nature. I have said that there were times when our Prince was always wide awake at the opera house. There is a certain brilliant and capricious little singer whom all England and Germany much admire, and who in certain operatic parts has, I think, no rival. Now, public scandal said that the Prince of Wales greatly admired this lady, and paid her the most marked attentions. Public scandal, indeed, said a great deal more. I hasten to record my conviction that, so far as the fair artiste was concerned, the scandal was wholly unfounded, and that she is a woman of pure character and honor. But the Prince was credited with a special admiration for her; and I am sure the Prince's father under such circumstances would have taken good care to lend no foundation, afford no excuse, for scandal to rest upon. Now, I speak of what I have myself observed when I say that the Prince of Wales, whenever he had an opportunity, always demeaned himself as if he really desired to give the public good reason for believing the scandal, or as if he was too far gone in infatuation to be able to govern his actions. For he was always at the opera when this lady sang; and he always conducted himself as if he wished to blazon to the world his ostentatious and demonstrative admiration. When the prima donna went off the stage, the Prince disappeared from his box; when she came on the stage again, he returned to his seat; he lingered behind all his party at the end, that he might give the last note of applause to the disappearing singer; he made a more pertinacious show of his enthusiasm than even the military admirer of Miss Snevellicci was accustomed to do. Now, all this may have been only stolidity or silliness, and may not have denoted anything like cynicism or coarse disdain of public opinion; but whatever it indicated, it certainly did not, I think, testify to the existence of qualities likely to be found admirable or desirable in the heir to a throne.