Modern literature: a novel, Volume 1 (of 3)Bisset, Robert
General
Modern literature: a novel, Volume 1 (of 3)
Bisset, Robert
England -- Social life and customs -- 18th century -- Fiction
the subject nearest his heart with his tongue, though his eyes spoke
the language of love, clear, forcible, and impressive; but wishing
to hear the sound of her voice, and to engage her in discourse, he
opened with the common compliments of the morning, which he offered in
a tone mellowed by tenderness. The young lady very sensible of this
intonation, endeavoured to turn the discourse to subjects in which it
could not easily be introduced; and seeing, and still better hearing,
that the spontaneous preceptor was sound asleep, she observed with arch
irony, that it was a very fortunate circumstance for persons pent up
in a stage coach to meet with so wise and learned a gentleman, so very
willing to communicate his stores for the public benefit. “One person,”
said our hero, “receives from his lessons the impression which they
are designed to make. This sleeping lady on the left hand evidently
regards him with very high admiration. I think,” continued he, “there
are few absurdities more laughable and humourous than one person
speaking nonsense, or at least frivolity, and another listening to it
as sense and wisdom.” “It is,” replied the nymph, “I believe, extremely
common, sir, and, perhaps, after all, merely shews that if one person
is weak, another is weaker.” Hamilton observed that he had never seen
it more happily exemplified than by that great master of nature, and
of life, Shakespear, in the dialogue between the grave-diggers.--He
mentioned several other instances, and passed rather abruptly, though
not without design, to another masterly painter of life, and quoted the
celebrated instance of the attorney’s clerk, who so profoundly admired
the wisdom of Mr. Partridge. Before the young lady had an opportunity
of either agreeing or disagreeing with his remarks, he hurried to a
very different subject and character, in the same performance, and
expatiated on the charms and loveliness of Sophia Western; declaring
that Fielding, in his description of that beautiful creature, exactly
hit real objects in their highest perfection. Having a copy of Tom
Jones in the coach, which he had taken to amuse himself, he opened the
first volume, and read with a very poignant significance the account
that he had mentioned, dwelling with peculiar emphasis on the exactness
and delicacy of the shape, the black hair, the full and even eyebrows;
he then asked the young lady if she did not think the following passage
particularly striking: “Her black eyes had a lustre in them which all
her softness could not extinguish; her nose was exactly regular; and
her mouth, in which were two rows of ivory, exactly answered sir John
Suckling’s description in these lines:--
‘Her lips were red, and one was thin,
‘Compar’d to that was next her chin,
‘Some bee had stung it newly.’
Public-domain text, read in full here on John Shaqi.
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