Modern literature: a novel, Volume 1 (of 3)Bisset, Robert
General
Modern literature: a novel, Volume 1 (of 3)
Bisset, Robert
England -- Social life and customs -- 18th century -- Fiction
that he possessed talents, erudition, and literary powers, which, if
steadily and uniformly exerted, would procure him an income sufficient
for real happiness; that Maria would stimulate exertion; and that so
inspired he would probably be greater and richer than if acting without
any such motive; but, at least, he would be happier. At length he was
overpowered by sleep, and was in a dream caressing the object of his
waking thoughts, when his jolly host entering his apartment roused him
to breakfast, that, according to an appointment on the former evening,
they might take a ride over his farm and estate.--“I suppose, my young
friend, you are like John, therefore I need not offer you a tankard for
your morning draught.” Hamilton acknowledged the resemblance in that
part of their taste, and the squire left him, and, while he equipped
himself, went to pay his compliments to the other guests. Having left
his room, he was preparing to descend to the parlour, whence he heard
the cheerful voice of his host; when a door opening into the landing
place, Maria unexpectedly presented herself to his enraptured view.--He
thought her somewhat pale, and inquired after her health, not as a
compliment, but as one whose whole soul was concentrated in its object.
She answered him with sweetness, but still attempted indifference. He
softly took hold of her hand, and earnestly requested one moment’s
conversation. Confounded by his address, she at first stood still,
but recollecting herself, gently withdrew her hand, saying, she must
descend to the breakfast-room. The allegation of reason sounding so
like an apology for departure, delighted our hero, who confidently
expected ere long he might have the opportunity which he wished. Most
of the morning was occupied in viewing the farms of the squire and his
tenants. His own demesnes evinced the skill and ability of the farmer
and gardener, that happily mingled utility with pleasure; in whose
plans, culture was the groundwork, while decoration was the edging and
interspersion, in which productiveness, the primary object, did not
preclude delight. The fields, husbandry, houses, dress, and persons of
his tenants, evinced the industrious and thriving farmers of Yorkshire.
Public-domain text, read in full here on John Shaqi.
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