Modern literature: a novel, Volume 2 (of 3)Bisset, Robert
General
Modern literature: a novel, Volume 2 (of 3)
Bisset, Robert
England -- Social life and customs -- 18th century -- Fiction
and _luminies_, and other pastimes, which he thinks would make very
clever books; and if any one can do the job, he is the hand; but I
need not mention him to you,--you know Dr. Scribble.” “Yes, yes,” says
Dicky, “he knows me.” “That I do,” replied Hamilton, “most thoroughly.”
“And I will venture to say,” rejoined Scribble, “that he has a just
value for me.” “That you may safely affirm,” said the other. “But,”
continued the Doctor, “what we particularly want with you, is to do us
_justice in the reviews_ and conversation, _by speaking very highly_ of
the work. I have already written a specimen; it is the translation of
a play, one of the finest that ever entered into the human imagination
to conceive; it is the story of Hurlobothrumbo, a Spanish hero, who
sets off to the war with the Moors in Andalusia, with four attendants;
he overcomes fifteen thousand, enters the city of the enemy alone,
encounters twenty thousand, formed in a hollow square, in one of their
narrow streets.” “Very well,” said Hamilton, “that’s a good idea.” “He
couches his lance, charges the first five thousand that extended across
the lane; defeats them; takes the city by storm.” “That was a great
hero,” said Jeffery. “Yes,” said Scribble, “I will defy any writer
but a German to think of such a hero.” “Oh do not,” said Hamilton,
“disparage our own country too much;--what think you of Drawcansir?”
“You know, Hamilton,” said Scribble, with much pomposity, “I do not
like jesting upon serious subjects; I have often given my admonitions
upon that topic.” “Which I hold in due estimation,” replied Hamilton.
“But you do not always attend to them,” rejoined Scribble, a little
sharply. “That does not contradict my position,” said the other.
Scribble taking this as a compliment, proceeded, “Hurlobothrumbo sets
all the prisoners free, returns to his own country, finds his mistress
confined in a castle, guarded by a thousand giants, with one more
enormous and fierce than all the rest, breaks through seven iron gates,
kills the head giant, and five hundred more. The five hundred and
second, with the other four hundred and ninety-eight, disheartened by
the fall of their master and companions, yield to the heroic conqueror.
He learns that his old father is somewhere confined in a dungeon, that
nobody knows where but the ghost of a female, that at midnight amuses
herself with playing a pibrach upon a Scotch bagpipe, accompanied
by two others, performing on the hurdy-gurdy and the Jew’s harp. It
is said, by the now subjected giants, to be reported, that the head
ghost will answer no questions, unless a tune is hit to her mind.
Various airs had been tried, but to no effect. The hero swears he will
venture, though a hundred ghosts assail. Midnight arrives, and a dark
and gloomy night it is. Hurlobothrumbo goes to the _oratory_, which
all know is the favourite walk[4] of ghosts, and there he meets the
three apparitions; the head one in a white silk negligee and petticoat;
the other two in muslin.
Public-domain text, read in full here on John Shaqi.
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