No interest
is attached to his background in itself. Fra Bartolomeo, never able to
grapple with any species of sublimity except that of simple religious
feeling, fails most signally in this mighty theme.[64] His group of the
dead, including not more than ten or twelve figures, occupies the
foreground only, behind them a vacant plain extends to the foot of a
cindery volcano, about whose mouth several little black devils like
spiders are skipping and crawling. The judgment of quick and dead is
thus expressed as taking place in about a rood square, and on a dozen of
people at a time; the whole of the space and horizon of the sky and land
being left vacant, and the presence of the Judge of all the earth made
more finite than the sweep of a whirlwind or a thunder-storm.
Sec. 24. By Tintoret.
By Tintoret only has this unimaginable event been grappled with in its
verity; not typically nor symbolically, but as they may see it who shall
not sleep, but be changed. Only one traditional circumstance he has
received with Dante and Michael Angelo, the boat of the condemned; but
the impetuosity of his mind bursts out even in the adoption of this
image, he has not stopped at the scowling ferryman of the one, nor at
the sweeping blow and demon dragging of the other, but, seized
Hylas-like by the limbs, and tearing up the earth in his agony, the
victim is dashed into his destruction; nor is it the sluggish Lethe, nor
the fiery lake that bears the cursed vessel, but the oceans of the earth
and the waters of the firmament gathered into one white, ghastly
cataract, the river of the wrath of God, roaring down into the gulf
where the world has melted with its fervent heat, choked with the ruin
of nations, and the limbs of its corpses tossed out of its whirling,
like water-wheels. Bat like, out of the holes and caverns and shadows of
the earth, the bones gather, and the clay-heaps heave, rattling and
adhering into half-kneaded anatomies, that crawl, and startle, and
struggle up among the putrid weeds, with the clay clinging to their
clotted hair, and their heavy eyes sealed by the earth darkness yet,
like his of old who went his way unseeing to Siloam Pool; shaking off
one by one the dreams of the prison-house, hardly hearing the clangor of
the trumpets of the armies of God, blinded yet more, as they awake, by
the white light of the new Heaven, until the great vortex of the four
winds bears up their bodies to the judgment seat: the firmament is all
full of them, a very dust of human souls, that drifts, and floats, and
falls in the interminable, inevitable light; the bright clouds are
darkened with them as with thick snow, currents of atom life in the
arteries of heaven, now soaring up slowly, farther, and higher, and
higher still, till the eye and the thought can follow no farther, borne
up, wingless, by their inward faith and by the angel powers invisible,
now hurled in countless drifts of horror before the breath of their
condemnation.
Public-domain text, read in full here on John Shaqi.
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