If the most exquisite orchestral music could be continued without a
pause for a series of years, and children were brought up and educated
in the room in which it was perpetually resounding, I believe their
enjoyment of music, or understanding of it, would be very small. And an
accurately parallel effect seems to be produced upon the powers of
contemplation, by the redundant and ceaseless loveliness of the high
mountain districts. The faculties are paralyzed by the abundance, and
cease, as we before noticed of the imagination, to be capable of
excitement, except by other subjects of interest than those which
present themselves to the eye. So that it is, in reality, better for
mankind that the forms of their common landscape should offer no
violent stimulus to the emotions,--that the gentle upland, browned by
the bending furrows of the plough, and the fresh sweep of the chalk
down, and the narrow winding of the copse-clad dingle, should be more
frequent scenes of human life than the Arcadias of cloud-capped mountain
or luxuriant vale; and that, while humbler (though always infinite)
sources of interest are given to each of us around the homes to which we
are restrained for the greater part of our lives, these mightier and
stranger glories should become the objects of adventure,--at once the
cynosures of the fancies of childhood, and themes of the happy memory,
and the winter's tale of age.
Sec. 8. Nor is it always that the inferiority is felt. For, so natural is
it to the human heart to fix itself in hope rather than in present
possession, and so subtle is the charm which the imagination casts over
what is distant or denied, that there is often a more touching power in
the scenes which contain far-away promise of something greater than
themselves, than in those which exhaust the treasures and powers of
Nature in an unconquerable and excellent glory, leaving nothing more to
be by the fancy pictured, or pursued.
Public-domain text, read in full here on John Shaqi.
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