presently emerging again in little startled gushes and laughing hurries,
as if they had remembered suddenly that the day was too short for them
to get down the hill.
Green field, and glowing rock, and glancing streamlet, all slope
together in the sunshine towards the brows of the ravines, where the
pines take up their own dominion of saddened shade; and with everlasting
roar in the twilight, the stronger torrents thunder down pale from the
glaciers, filling all their chasms with enchanted cold, beating
themselves to pieces against the great rocks that they have themselves
cast down, and forcing fierce way beneath their ghastly poise.
The mountain paths stoop to these glens in forky zigzags, leading to
some grey and narrow arch, all fringed under its shuddering curve with
the ferns that fear the light; a cross of rough-hewn pine, iron-bound to
its parapet, standing dark against the lurid fury of the foam. Far up
the glen, as we pause beside the cross, the sky is seen through the
openings in the pines, thin with excess of light; and, in its clear,
consuming flame of white space, the summits of the rocky mountains are
gathered into solemn crowns and circlets, all flushed in that strange,
faint silence of possession by the sunshine which has in it so deep a
melancholy; full of power, yet as frail as shadows; lifeless, like the
walls of a sepulchre, yet beautiful in tender fall of crimson folds,
like the veil of some sea spirit, that lives and dies as the foam
flashes; fixed on a perpetual throne, stern against all strength, lifted
above all sorrow, and yet effaced and melted utterly into the air by
that last sunbeam that has crossed to them from between the two golden
clouds.
Public-domain text, read in full here on John Shaqi.
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