Sec. 5. Do not let this be thought a darkened picture of the life of these
mountaineers. It is literal fact. No contrast can be more painful than
that between the dwelling of any well-conducted English cottager, and
that of the equally honest Savoyard. The one, set in the midst of its
dull flat fields and uninteresting hedgerows, shows in itself the love
of brightness and beauty; its daisy-studded garden beds, its smoothly
swept brick path to the threshold, its freshly sanded floor and orderly
shelves of household furniture, all testify to energy of heart, and
happiness in the simple course and simple possessions of daily life. The
other cottage, in the midst of an inconceivable, inexpressible beauty,
set on some sloping bank of golden sward, with clear fountains flowing
beside it, and wild flowers, and noble trees, and goodly rocks gathered
round into a perfection as of Paradise, is itself a dark and plague-like
stain in the midst of the gentle landscape. Within a certain distance
of its threshold the ground is foul and cattle-trampled; its timbers are
black with smoke, its garden choked with weeds and nameless refuse, its
chambers empty and joyless, the light and wind gleaming and filtering
through the crannies of their stones. All testifies that to its
inhabitant the world is labor and vanity; that for him neither flowers
bloom, nor birds sing, nor fountains glisten; and that his soul hardly
differs from the grey cloud that coils and dies upon his hills; except
in having no fold of it touched by the sunbeams.
Public-domain text, read in full here on John Shaqi.
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