L
That the interior fittings of the theatre, in 1846, cost 40,000
That it was opened on the 6th of April, 1847; and }
that in 1848 the loss upon it was } 34,756
in 1849 " " 25,455
------
100,211
------
L
And that in one year the vocal department cost 33,349
the ballet " " 8,105
the orchestra " " 10,048
------
51,502
------
Mr. Albano afterwards corrected this statement, substituting 27,000
for 40,000: and perhaps the other sums may also have been
exaggerated, but I leave the reader to consider what an annual
expenditure of from 30,000_l._ to 50,000_l._ might effect in
practical idealism in general, whether in Swiss valleys or
elsewhere. I am not one of those who regard all theatrical
entertainment as wrong or harmful. I only regret to see our theatres
so conducted as to involve an expense which is worse than useless,
in leading our audiences to look for mere stage effect, instead of
good acting, good singing, or good sense. If we really loved music,
or the drama, we should be content to hear well-managed voices, and
see finished acting, without paying five or six thousand pounds to
dress the songsters or decorate the stage. Simple but well-chosen
dresses, and quiet landscape exquisitely painted, would have far
more effect on the feelings of any sensible audience than the tinsel
and extravagance of our common scenery; and our actors and actresses
must have little respect for their own powers, if they think that
dignity of gesture is dependent on the flash of jewellery, or the
pathos of accents connected with the costliness of silk. Perfect
execution of music by a limited orchestra is far more delightful,
and far less fatiguing, than the irregular roar and hum of
multitudinous mediocrity; and finished instrumentation by an
adequate number of performers, exquisite acting, and sweetest
singing, might be secured for the public at a fourth part of the
cost now spent on operatic absurdities. There is no occasion
whatever for decoration of the house: it is, on the contrary, the
extreme of vulgarity. No person of good taste ever goes to a theatre
to look at the fronts of the boxes. Comfortable and roomy seats,
Public-domain text, read in full here on John Shaqi.
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